Tom Gordon

Books - published only

(Editor and contributor), Jean Cocteau – Evangelist of the Avant-Garde / Jean Cocteau -- Évangéliste de l’avant-garde. Special volume of Canadian University Music Review / Revue de musique des universités canadiennes, XXII/1 (2001), 130pp.

(Editor and translator), Regarding Fauré (Newark, N.J.: Gordon & Breach, 1999). [Short-listed for the Prix Opus, category «livre de l’année» by the Conseil québécoise de la musique, 1999.]

(Editor/Interviewer), The Soil was in the People and the Seed of Music has Taken Root, Special volume of Them Days; Stories of Early Labrador, XXXVII/2 (June 2012), 64 pp.

Articles - published only (All peer reviewed, unless otherwise indicated.)

“Found in Translation: The Inuit Voice in Moravian Music.” Journal of Newfoundland and Labrador Studies XXI/1 (Spring 2007), 287-314.

“Great - Rag - Sketches; Source Study for Stravinsky's Piano-Rag-Music.” Intersections: Canadian Journal of Music/Revue canadienne de musique XXVI/1 (2006), 62-85.

“Streichquartett-Komponist ‘wider Willen’. Aspekte der Entstehungsgeschichte” in Igor Strawinsky: Trois pièces pour quatuor à cordes -- Skizzen, Fassungen, Documente, Essays; Festschrift für Albi Rosenthal. Edited by Hermann Danuser. Zürich: Amadeus Verlag, 1994.

Stravinsky à quatre-mains; L'Esthétique du Pragmatisme. Lennoxville, Québec, 1988. [An exhibition catalogue/essay]

“The Cubist Metaphor: Picasso in Stravinsky Criticism,” Current Musicology, XL (l985), 22-33.

“Stravinsky and C.-F. Ramuz: A Primitive Classicism,” Canadian University Music Review, IV (1983), 218-244.


Till We Meet Again; Moravian Music in Labrador Lazybank Productions, Ltd, 2012 [Content specialist and narrator.]


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