Meghan Forsyth

2013. Copyright Conundrums and Creating Constructive Classrooms in the Age of Distance Education. Canadian Folk Music 46(4): 23-24, special issue on pedagogy.

2012. Contributing author to Bellows & Bows: Historic Recordings of Traditional Fiddle and Accordion Music from Across Canada, ed. S. Johnson. MMaP Archive Series no, 4. B. Diamond, series producer. St. John’s: Memorial University of Newfoundland.

2012. Performing Acadie: Marketing Pan-Acadian Identity in the Music of Vishtèn. Journal of the Society for American Music 6(3): 349-375.

2012. Guest editor, Canadian Folk Music 46(1), special issue on Canadian singer- songwriters.

2012. ‘Snowbird’: A Conversation with Catherine MacLellan. Canadian Folk Music 46(1):8- 12, special issue on Canadian singer-songwriters.

2012. Teaching ‘Trad’: A Fiddling Ethnomusicologist’s Reflections on Fiddle Camp. Canadian Folk Music 45(2):1-9.

2011. with A. DesRoches. Les faiseux des tunes/Tunesmiths: Le premier répertoire de compositions acadiennes de l’Île-du-Prince-Édouard/ The first collection of Acadian compositions from Prince Edward Island. La Fédération culturelle acadienne.

2011. ‘De par chez nous’: Fiddling Traditions and Acadian Identity on Prince Edward Island. Ph.D. dissertation, University of Toronto.

2007. Re-inventing ‘Springs’: Constructing Identity in the Contemporary Fiddle Tradition of the Shetland Isles. SHIMA: The International Journal of Research into Island Cultures 1(2): 49-58.


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