Publications

NEWFOUNDLAND AND LABRADOR STUDIES now available
The Music Issue - Table of Contents

Introduction: Music in Newfoundland and Labrador – Beverley Diamond and Glenn Colton
Gone to the Mainland and Back Again: A Critical Approach to Region, Politics, and Identity in Contemporary Newfoundland Song – Cory Thorne
‘She’s Like the Swallow’: Folksong as Cultural Icon – Neil Rosenberg
Kenneth Peacock’s Contribution to Gerald S. Doyle’s Old-Time Songs of Newfoundland (1955) – Anna Guigné
‘Crooked as the Road to Branch’: Asymmetry in Newfoundland Dance Music – Christina Smith
Don Randall: Mistaken Fiddling Dichotomies – Paula Flynn
Fiddling with Recordings: The Effect of Media on Newfoundland Traditional Musicians – Evelyn Osborne
‘I am VOWR’: Living Music in Newfoundland – Judith Klassen
Santu’s Song: Revisiting a Beothuk Cultural Artifact – John Hewson and Beverley Diamond
Cultural Revitalization and Mi’kmaq Music-Making: Three Newfoundland Drum Groups – Janice Esther Tulk
Found in Translation: The Inuit Voice in Moravian Music – Tom Gordon
Hip-hop on the East Side: A Multi-sited Ethnography of Break Dancing and Rap Music from St. John’s and Grand Falls, Newfoundland – Kelly Best
Fandom as Musical Practice: Great Big Sea, Stockwell Day, and Spoiled Identity – Peter Narváez
Rockin’ the Rock: The Newfoundland Folk/Pop Revolution – Paul Chafe
The Life and Afterlife of a Labrador Folksong Collection – Tim Borlase
A List of Recordings by Newfoundland Choirs – Doug Dunsmore