Site Map
About
Promotional Material
Contact Us
Current Students
Gradutate Handbooks
Planning Guides
- Planning Guides
- Planning Guides (MMus)
- Planning Guides (Undergrad)
- Planning Guides for Students in the Joint Degree B. Mus/B.BA Program
- Planning Guides for Students Whose Applied Study is Percussion, Brass, Strings, or Woodwinds
- Planning Guides for Students Whose Applied Study is Piano, Organ or Guitar
- Planning Guides for Students Whose Applied Study is Voice
Student Assistants
Ensembles
Audition Materials
Facilities
WHS Committee
Flute Fest - Fall 2013
Friends and Alumni
Harlow
Junior Band
Logos
musicatmemorial
Newfound
- callforpresentations2016.php
- callforparticipation2016.php
- Call for Participants - Newfound XIV
- Call for Performance Proposals during Newfound Music Festival XVI
- CALL FOR PRESENTATIONS AND PERFORMANCES XIV ANNUAL MEETING OF THE NEWFOUND MUSIC FESTIVAL SYMPOSIUM
- Newfound Music Festival XV
- Newfound Music Festival XVI
- Newfound XIV - Program
- Symposium Schedule
Paddiversary
Faculty
- Alan Klaus
- Andrew Staniland
- Annalise Smith
- Beverley Diamond
- Bill Brennan
- Caroline Schiller
- Christine Carter
- Clark Ross
- Eldon Murray
- Faculty
- Florian Hoefner
- Harris Berger
- Ian Sutherland
- Jakub Martinec
- Jane Gosine
- Jane Leibel
- Joe Argentino
- Karen Bulmer
- Kati Szego
- Kristina Szutor
- Meghan Forsyth
- Michelle Cheramy
- Nancy Dahn
- Nathan Cook
- Rob Power
- Shelley Neville
- Sylvie Proulx
- Timothy Steeves
- Tom Gordon
- Vernon Regehr
Programs
M.A. and Ph.D. Ethnomusicology
MMus
Undergraduate
- Application Process
- Audition Guidelines by Instrument
- Audition Requirements - Brass
- Audition Requirements - Percussion
- Audition Requirements - Strings
- Audition Requirements - Voice
- Audition Requirements - Woodwinds
- Auditioning by Distance
- Auditions FAQ
- Auditions Requirements - Keyboards
- Careers in Music
- Undergraduate
Research Centres
BCECM
about
newsletter
2014-15
- session1.php
- SESSION II: The Creative Orchestra: A workshop in exploration, improvisation and structure
- SESSION III: TOUCH, MEMORY, AND SOLITUDE IN IMPROVISED DANCE
- SESSION IV: NOT THE MUSIC
- SESSION V: CONFLICT, COMMUNICATION, & IMPROVISATION
- SESSION VI: IMPROVISATION & GOOD LIVING
- SESSION VII: IMPROVISING IN THE KITCHEN, THE STREET, & ONLINE