Events Archive

For details of past events in our Music & Culture Lecture Series, click here.

Album Launch: Doughboys and Molasses, Oh!

November 26, 2020
The virtual launch of our album of traditional songs from the Gros Morne region was screened on MMaP’s YouTube channel. The launch featured performances of songs from the album by special guest musicians, as well as greetings from project partners. Watch the video to learn more about musical heritage of this distinctive region of Newfoundland’s west coast.

Good as a (Covid) Concert: Livestreamed Performances for a Time of Crisis

July 20, 2020
Presented in partnership with SingSong Inc. and Eleanor Dawson, this livestreamed event featured performances by Sherry Ryan, Aaron Collis, and Natasha Blackwood, along with host Jim Payne. It was a night of inspiring music that continued the themes of our “Good as a Concert” series during this time of global health crisis.

“Good as a Concert”: A Festival of Traditional Story and Song

February 29, 2020
Presented by The Rooms in partnership with Eleanor Dawson, SingSong Inc., and MMaP, this event featured local performers steeped in the ballad and storytelling traditions of Newfoundland and Labrador, offering listeners a chance to hear some lesser-known songs and stories from the province’s vast traditional heritage.

Listening Party: Jazz Vocalists from 1905 to Today

February 5, 2020
Curated by MMaP scholar-in-residence Dr. Martin Daughtry (New York University), this listening party traced the influence of jazz vocalists from Bert Williams to Cécile McLorin Salvant. Held in Memorial’s new Global Learning Centre, the event was presented in partnership with the Multicultural Women’s Organization of Newfoundland and Labrador and featured special guest performances by local musicians affiliated with MWONL. 

“Good as a Concert”: A Festival of Traditional Story and Song

October 19, 2019
A daylong festival celebrating Newfoundland and Labrador’s rich folk song and narrative traditions. Featuring thematic sessions on “Captains and Ships” and “Ghosts and Gallows,” as well as a traditional song circle during the day and concluding with an evening concert by prominent local folk singers and musicians. Videos of the event can be found here.

LGBTQ+ Community through the Arts and Choral Music

June 20, 2019
A concert and roundtable held in partnership with the Newfoundland and Labrador chapter of PFLAG, the St. John’s Gay Men’s Chorus, and the Bruneau Centre for Excellence in Choral Music at Memorial University. The event featured performances by the St. John’s Gay Men’s Chorus and the Spectrum Queer Choir, as well as a panel discussion about queer communities and the arts. A video of the event can be found here.

An Evening of Ottoman and Turkish Musics

February 11, 2019
A concert of Ottoman and Turkish musics by the renowned ethnomusicologist and performer Dr. Denise Gill. Gill sang and played the kanun (trapezoidal zither), inspiring her audience with powerful music from the Ottoman and Turkish repertoires. You can see excerpts from the concert on MMaP’s YouTube channel.

Indigenous Improvisation: Freedom and Responsibility

July 4, 2018
The international colloquium on Indigenous Improvisation brought together Indigenous scholars and musicians from Canada, the United States, Taiwan, and Norway to present on the complex relationship of individual freedom and social responsibility in the context of artistic practice. Addressing both the practices teaching, learning, and performance within their own communities and the long history of Indigenous performers, composers and song-makers engaging with improvisatory traditions, such as jazz, contemporary classical music, and song, the discussions nuanced common constructs of Indigenous performance practices. Scholars also addressed issues of cultural appropriation, including the mass marketing of instruments and the use of sacred works in musical sampling. More information about the Indigenous Improvisation Colloquium and the participating scholars and musicians can be found on their website.

Phenomenology and Ethnomusicology 2018: The St. John’s Conference

June 5–7, 2018
Bringing together leading scholars from North America, Europe, and Australia, this conference presented cutting-edge research on music and culture drawing on ideas from the phenomenological tradition of continental European philosophy. Videos of the paper presentations can be found on MMaP’s YouTube channel. The conference website can be found here.

Music of Survival: Film Screening and Interview

November 3, 2016
MMaP presented a screening of the film Music of Survival. The triumphant story of the Ukrainian Bandurist Chorus, the film examines the roots of a rare and fragile musical tradition. Set against the backdrop of the Second World War, the film focuses on the ways that music and musicians are used and abused by political regimes. The film screening was followed by a public interview with the film’s director, Orest Sushko. A video of the interview with Sushko can be found on MMaP’s YouTube channel.

DanceSpace: A Research-Creation Dialogue on Embodiment, Gesture, and Dance

May 24, 2015
A group of internationally renowned ethnomusicologists joined local scholars and dancers for a lively exchange about embodiment, pedagogy, and dance to celebrate the naming of the Dance Space, a collaboration between MMaP and the St. John’s Arts and Culture Centre. The symposium focused on the challenges of representing and teaching embodiment and movement in Newfoundland and around the world, and the role of improvisation in dance and other performing arts. The symposium was held in conjunction with the meeting of the Board of the Society for Ethnomusicology (SEM) in St. John’s, hosted by SEM president Dr. Beverley Diamond.

Symposium on Music, Folklore, and the Public Sector

May 15, 2014

Expanding Ecomusicology: Exploring Sonic Culture and Environmental Change

September 28, 2013
Bringing together scholars from Memorial, York, Cape Breton, and Concordia Universities and featuring a keynote by Andra McCartney, along with panels chaired by Leila Qashu, Ellen Waterman, Marc Finch, and Meghan Forsyth, this symposium addresses topics including non-human sound production, industrial soundscapes, environmental issues in music instrument manufacture, and music that imitate place-based sound.

41st World Conference of the International Council for Traditional Music

July 13–19, 2011
Memorial University was honoured to host the 41st World Conference of the International Council for Traditional Music (ICTM), an organization recognized worldwide as an eminent society for ethnomusicology and ethnochoreology research. The St. John’s meeting was the first ICTM World Conference to take place in Canada since the renowned folklorist Marius Barbeau hosted a meeting in Quebec City in 1961. The conference had 460 presenters from 57 countries. The SOUNDshift festival of world music and dance was held alongside the conference. For more information, click here.

Symposium on Music, Dance, and Place

July 2, 2010
Presented in anticipation of ICTM 2011, this symposium focussed on the relationship between traditional dance forms of Atlantic Canada and notions of space.

Dance Heritage Think Tank

February 21, 2009
Presented in partnership with Neighborhood Dance Works and the Newfoundland and Labrador Heritage Foundation, this open event brought together traditional dance enthusiasts from novice to expert to exchange ideas and discuss the future of traditional dance in Newfoundland and Labrador.

North Atlantic Fiddle Convention: Crossing Over

August 3–8, 2008
MMaP was pleased to host the 2008 North Atlantic Fiddle Convention (NAFCo) in the summer of 2008. At the heart of NAFCo is the synergy created by an international academic symposium and a celebration of performance. The convention provided a forum for talking about and experiencing the links between fiddle music, dance, song, mouth music, piping, and other complementary traditions. For more information, click here.

Indigenous Music and Dance as Cultural Property: Global Perspectives

May 2–4, 2008
This three-day colloquium involved presentations, discussions, workshops, and performances by Indigenous and settler academics and Indigenous culture bearers from eight countries. The colloquium concluded with a concert entitled “Global Spirit: An Indigenous Showcase,” featuring Indigenous musicians from around the world. Videos from the concert can be found here.

Post-Colonial Distances: The Study of Popular Music in Canada and Australia

June 24–28, 2005

Symposium on Women, Music, and Technology

July 9, 2004
This day-long symposium, part of the Sound Symposium series, featured a Soundwalk lead by Andra McCartney, and two panels, themed “Women, music, & technology on Newfoundland & Labrador” (Lesley Howell, Pamela Morgan, and Francesca Swann) and “Research reports from the “In and Out of the Studio” project on women, music, and technology” (Andra McCartney, V. Diamond).

Who Owns Traditional Music? A Dialogue

April 10, 2003
This day-long symposium presented in partnership with the MUN School of Music, brought together academics and musicians to discuss the politics of performing traditional music. Panel and keynote topics included “Canadian Copyright Law and Oral Tradition” lead by John Joy, “International Conventions and the Projects of Archive of Folk Culture” lead by Michael Taft (then-director of the Archive of Folk Culture, Library of Congress), and roundtables of musicians (Stan Pickett, Anita Best, Peter Narvaez, and Victor Sage Muise), archivists (Martin Lovelace, Patricia Fulton, Philip Hiscock, and Neil Rosenberg), and folklorists/ethnomusicologists (Dufferin Murray, Kati Szego, Klisala Harrison, Johanna Devlin Trew, Beverley Diamond).