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While boys are entertained by nuts and youths by dice, so
playing-cards fill up the time of lazy men. In the festive season
we hammer out these emblems, made by the distinguished hand of
craftsmen. Just as one affixes trimmings to clothes and badges to
hats, so it behooves every one of us to write in silent marks.
Though the supreme emperor may give to you, for you to own,
precious coins and finest objects of the ancients, I myself shall
give, one poet to another, paper gifts: take these, Konrad, the
token of my love.
Preface by Andrea Alciato on his book of emblems, to Konrad
Peutinger of Augsburg
On the shield of the Duke of Milan
To the most illustrious Massimiliano, Duke of Milan
[snake, infant ]
An infant springing from the jaws of a curling snake is your
family's noble device. We saw the Pellaean king had made such
coins, and had celebrated with them his own descent. It teaches
that while he was sown from the seed of Ammon, his mother was
fooled by the image of a snake and that he was the offspring of
divine seed. He comes forth from the mouth. Is it because in this
way, some claim, certain snakes bear their young, or because
Pallas sprang that way from the head of Jupiter?
Emblem 1
Milan
[building of Milan; pig recovered from the ground ]
A castrated sheep is the sign of the Bituriges, a piglet a sign
of the Aedui. To these peoples is owed the origin of my homeland
Milan which was, they said, sacred to a maiden. For the ancient
Gallic tongue proclaims this. Minerva was worshipped, where now
Thecla, transformed in divine majesty, is before the house of the
Virgin Mother. A woolly pig is the sign, a double-shaped
creature, partly with sharp bristles, partly with soft wool.
Emblem 2
One ought never to procrastinate
[elk]
The elk raises the sign of the Alciato family, and it bears in
its hooves "Never postpone anything". It is known that Alexander
answered thus to one who asked him how he had accomplished so
many deeds in a short time. By never being willing to delay, he
said. And that is the meaning of the elk, for you might wonder if
it is stronger, or swifter.
Emblem 3
One ought to rejoice in God
[Ganymede]
See how the extraordinary painter has depicted the Iliacan boy
being carried through the highest stars by the bird of Jupiter.
Who would believe Jupiter to be touched by youthful love? Tell
us, from what has the old Maeonian fashioned these things?
Judgment and understanding of God give delights to him who is
believed to have been seized by Jupiter most high.
Emblem 4
Human wisdom is folly before the Lord
[Cecrops ]
What should I say? How should I address by name this biform
monster, which is not man, and not a snake? Rather a man without
feet, a snake without upper parts, he can be called a
snake-footed man and man-headed snake. The man farts out a snake;
and the snake has belched a man. There is no end to the man, and
no beginning to the beast. Thus at one time Cecrops reigned in
learned Athens; thus Mother Earth brought forth the giants. This
image signifies a cunning man, but one lacking in religion, and
one who cares only for earthly things.
Emblem 5
False religion
[Whore of Babylon ]
A most beautiful whore seated upon a royal throne wears the robe
of state distinguished by honorific purple. She delivers wine to
all from her flowing bowl. Used to their reclining, the drunken
crowd sprawls all about. Thus they look to Babylon: which, with
alluring form and false religion, possesses the stupid heathens.
Emblem 6
Not for you, but for religion
[ass bearing mysteries ]
A doltish little ass carried a figure of Isis, bearing the
revered mysteries upon its curved back. And so everyone in the
street adored the goddess reverently, and on bended knee said
prayers of worship. But the ass believed such honour was being
shown to him, and swelled up, filling entirely with his pride -
until the driver, who restrained him with whips, said, "You are
not a god, little ass; rather, you bear a god."
Emblem 7
Where the gods call, there one must go
[Mercury at the crossroads ]
At the crossroads is a mountain of stones; the shortened figure
of a god rises above it, figured as far down as his chest. This
then is the hill of Mercury. Traveller, raise up garlands to the
god, that to you he may show the proper road. We are all at the
crossroads, and we mistake our course in life, if the God himself
does not show the way.
Emblem 8
Symbol of faithfulness
[Truth, Love, Honour ]
Let Honour be shown cloaked in Tyrian robe, let naked Truth clasp
Honour's right hand, and let chaste Love be in their midst, with
the rose around his brow, more lovely than the Cupid of Dione.
These signs represent Faithfulness, which Reverence of Honour
cherishes, Love nourishes, and Truth delivers.
Emblem 9
Treaties
[lute ]
Take, O Duke, this lute whose form is said to come from a
fishing boat, and which the Latin Muse claims as her own. May our
gift be pleasing to you at this time, as you prepare to undertake
new treaties with your allies. It is difficult, unless the man is
skilled, to tune so many strings, and if one string is not well
stretched, or breaks (which happens easily), all the pleasure of
the shell is lost, and the splendid song becomes absurd. So the
princes of Italy join together in alliances: there is nothing for
you to fear if your love remains harmonious. But if anyone
withdraws, then, as we often see, all that harmony diminishes
into nothing.
Emblem 10
Silence
[scholar ]
When he is silent, a foolish man differs not a bit from the
wise. Both tongue and voice are the index of his foolishness -
therefore let him press his lips, and with his finger mark his
silences, and let him turn himself into a Pharian Harpocrates.
Emblem 11
Plans ought not to be divulged
[Roman standard ]
In the dark lairs of Cnossus with their hidden threshold and
thick darkness, Daedalus shut up the monster. This image the
Roman phalanx carries into battle, and these standards, with bull
that's half a man, shine forth splendidly. They warn us too that
the secret plans of leaders ought to lie hidden. A plan that's
known harms its author.
Emblem 12
One ought not yield, even under torture
[lioness ]
Laeana, whom you see depicted on the Cecropian fortress, was the
lover of Harmodius (or do you not know this, stranger?). So it is
pleasing to show the keen spirit of this female warrior in the
form of a wild beast, for she actually bore its name. Because she
did not betray anyone by her testimony, when she was twisted on
the rack, Iphicrates represented her as tongueless.
Emblem 13
The Chimaera (those who are stronger and deceptive) to be
overcome by judgment and courage
[Bellerophon against the Chimaera ]
As the courageous horseman Bellerophon was able to overcome the
Chimaera and slay the monsters of the Lycian land, so you,
carried on Pegasean wings, seek the heavens, and by the judgment
of your mind, subdue tyrannical monsters.
Emblem 14
Wakefulness and watchfulness
[lions, cocks ]
The crowing cock - because it gives signs of the coming Dawn and
recalls toiling hands to a new day's labour; the bronze bell -
because it calls the wakeful mind to higher things: each is
fashioned on sacred towers. And here's a lion - but because this
guardian sleeps with open eyes, it's therefore placed before the
temple doors.
Emblem 15
Be sober and remember not to be too rashly credulous: these are
the limbs of the mind
[hand with eye ]
Do not be credulous, do not be incautious, says Epicharmus -
these will be the sinews and the limbs of the human mind. Behold
the hand with the eye, believing what it sees, behold the
pennyroyal, herb of ancient sobriety. By displaying it Heraclitus
calmed the crowd and charmed it, though it was threatening with
swelling sedition.
Emblem 16
Where did I go astray, what did I do? or what duty was left
undone?
[Pythagoras observes flying cranes who carry stones in their talons ]
The Samian, most famous founder of the Italian sect, himself
wrapped up his own teaching in a brief verse: "Where have you
gone astray? what do you do? and what are you not doing, that you
ought to do?" He pressed every man to render this account with
himself. It is said he learned this from a flock of flying
cranes, who bore in their talons a stone they'd seized in order
not to yield, lest ill winds bore them off course. By this rule,
the life of men ought to be governed.
Emblem 17
Prudent ones
[Janus ]
Two-faced Janus, you who know the things that have already passed
and the things to come, and who can see the grimaces behind you
just as well as those before, why do they fashion you with so
many eyes and why so many faces? Is it because your image teaches
men to have kept an eye open all around them?
Emblem 18
Wise, more than wordy
[shield with owl ]
In Cecropian Athens, its symbol the night-owl excels among birds
for her wise counsel. She is deservedly consecrated to the
service of arms-bearing Minerva, a post the chattering crow had
earlier yielded up.
Emblem 19
One ought to move swiftly
[javelin entwined by remora ]
They command all men to hasten quickly, and to slow down! -
neither too hasty, nor too long in delay. May a javelin, wrapped
by a remora, show this to you: the remora is sluggish, the darts
fly forth, sent by the hand.
Emblem 20
On one having been caught
[fisherman traps eel with fig leaves ]
For a long time wherever you fled, I pursued you: but now here
you are, trapped in my snare. No longer will you be able to elude
my power. I've caught the eel in a fig-leaf.
Emblem 21
Virgins must be protected
[Athena ]
This is a true picture of unwed Pallas: here is her dragon,
standing before the feet of its mistress. Why is this animal
companion to the goddess? The protection of things was given to
it. Thus it cares for sacred groves and temples. It must watch
unwed maidens with especially vigilant care: Love sets his traps
everywhere.
Emblem 22
That foresight is improved by wine
[Two statues: Athena and Bacchus ]
Father Bacchus and Pallas, both true children of Jupiter, hold
this temple jointly. She was freed from her father's head, he
from his thigh; to Pallas is due the use of the olive, while
Bacchus first discovered wine. Justly are they joined; for if an
abstemious man hates wine, he'll have no help from the goddess.
Emblem 23
Wise men abstain from wine
[Olive tree entwined by grape vine ]
Branches, why do you bother me? I am the tree of Pallas. Away
with your grape-clusters! The virgin shuns Bromius.
Emblem 24
On a statue of Bacchus
[Bacchus in arbour beats on drum ]
A Dialogue
Father Bacchus, who, with mortal gaze, has come to know you,
and who, with well trained hand, has fashioned forth your
limbs?
Praxiteles, who saw me ravish the Gnossian maid, and at that time
painted me, just as I was.
Why does your soft, young beard blossom even with down, when
you are able to surpass in years the old man from Pylos?
Whenever you learn to leave off my gifts, you will be always
young and strong of heart.
Drums are not lacking in your hands, nor horns on your head:
such signs are right for whom, if not the mad?
This I teach: that he who wastes my gifts wears horns, and madly
shakes the unmanly metal rattle.
What means the almost fiery colour of your limbs? You yourself
burn at the human hearth. Is the omen true to this?
When my father drew me forth from the womb of Semele, with her
fire-belching lightning, he immersed me, covered with ashes, into
the water. Hence he is wise who dilutes me well with water. Who
does not, his liver is seared with burning flames.
But teach me now, how do you wish to be mixed? And by what
rule can a wise man take you safely?
He who desires to take a cup of Falernian, let him add a fourth
of water. It is pleasing for the cup to be drunk like this.
Contain yourself with a halfpint - for whoever is inclined to go
beyond is lively, but soon drunk, then mad.
This is too harsh. Our throats hang open, you flow sweetly.
Alas, do pleasant things never happen easily?
Emblem 25
Grass
[Quintus Fabius Maximus points to lark nesting in grass as garland of grass is placed upon his
head ]
After Fabius had broken Hannibal and the Phoenicians by his
delays, the senators bestowed on Fabius a garland made of
grass.
The lark, they say, conceals her nest in bending grass, and thus
she guards her chicks.
Glaucus, son of Polybus, ate the grass sacred to Saturn and to
Mars, and is believed to have become a god.
These riddles rightly show guardianship and safety, so much
potency has the tiny blade of grass.
Emblem 26
Harm no one, by word or deed
[Nemesis holds bridle and rule ]
Nemesis watches for, and overtakes, the footsteps of men, and
holds a ruler and harsh bridle in her hand, lest you do anything
evil, or speak dishonest words: She commands moreover that there
be due measure in all things.
Emblem 27
At last, at last, justice prevails
[tomb of Ajax on seashore, shield of Achilles is washed towards it ]
The shield of the Aeacidean
Emblem 28
drenched with blood of
Hector,
the unjust assembly of the Greeks gave to the
Ithacan.
But after it in shipwreck had been thrown into the
sea,
Neptune, being juster, seized it, so that it found its
master.
For a wave bore it to the shore-side tomb of
Ajax,
where it cries out and pounds the sepulchre with these
words
- You have won, son of Telamon,
you are more
deserving of these arms.
Passion ought to yield to justice.
Even the fiercest are overcome
[Marc Antony in chariot pulled by lions ]
After the bitter plague of his country had destroyed Roman
eloquence - for Cicero had been killed - the conqueror mounted
his chariot, harnessed lions to it, and compelled them to submit
their necks to his harsh yoke. By this riddle Antony wished to
show that high-spirited princes had yielded to his arms.
Emblem 29
A favour ought to be returned
[stork brings food to young who nest in chimney top ]
In her airy nest, the stork,
Emblem 30
remarkable for tenderness,
nurtures her unclothed chicks, her lovely children.
And this
mother looks to the time
when such services will be returned
to her,
when, as an old woman she will often need their
help.
Nor do her devoted offspring disappoint this hope,
but bear the weakened bodies of their parents on their
shoulders,
and offer them food from their very mouths.
Abstinence
[tomb with pitcher and basin ]
A tomb with marble columns:
Emblem 31
on one side stands a pitcher,
on the other you see a wash-basin.
This image teaches:
that the law is to be pronounced without filthiness,
and that
the man now dead had clean hands.
Good men ought to fear nothing from the rich
[Zetes and Calais pursue three Harpies ]
On one side of the wall adjoining me is Marius,
Emblem 32
on the other,
Subbardus, names known well in the forum.
Very rich, they
build and moreover busy themselves - alas! -
to block off all
my light.
O woe! I could be like that Phineus
whom the
sister harpies harrassed
to drive him from his home -
were not my honesty and spirit
(my spirit - which strives for
virtue),
both Zetes and Calais to these neighbours.
Signs of the brave
[eagle on tomb of Aristomenes ]
In the form of a dialogue
What reason compels you, lofty Saturnian bird, to settle on
the tomb of great Aristomenes?
This I say: that as I am distinguished among birds for strength,
so is Aristomenes among the demi-gods. Let timid doves rest upon
the tombs of timid men. We eagles give our standards freely to
the fearless.
Emblem 33
Bear, and forbear
[bull separated from cows by farmer ]
Stern fortune must be endured by man through suffering; likewise
too much happy fortune should frequently be feared. Bear, and
forbear, Epictetus used to say. We ought to suffer much, and keep
our hands away from things forbidden. So the bull, fettered by
his right knee, endures his master's rule: and so abstains from
pregnant cows.
Emblem 34
On one who knows not to flatter
[horseman restrains his horse ]
Do you want to know why the region of Thessaly so often changes
masters and why it seeks to have its different leaders? It knows
not how to flatter, how to reach out to cajole anyone, the style
which the court of every prince possesses. Instead, like a
freeborn steed, it throws off its back every Hippocomon who lacks
the ability to control it. Yet it's not proper to for the master
to be angry. The only vengeance is to order the beast to endure a
bit with harsher teeth.
Emblem 35
One must persist against oppressions
[date palm weighted down by boy ]
A palm-tree struggles up against a weight, and rises in an arc;
the more it is pressed down, the more it lifts its burden. It
bears fragrant nuts, sweet desserts, to which first honour is
given among courses. Go youth, and crawling amidst the branches,
gather these things. He who is of constant mind will carry off
worthy prizes.
Emblem 36
I carry all my things with me
[naked Scythian (odd, because the emblem is about the clothing of the Scythian) ] The poor
Hun, most miserable inhabitant of Scythian
Pontus, is tortured in his livid limbs by perpetual cold. He does
not know the wealth of Ceres, nor the gifts of Lyaeus, and
nevertheless always had his precious coverings, for the skins of
mice wrap him on all sides. Only his eyes are visible, all else
is covered. Thus he does not fear the thief, thus he disdains
winds and rain: he is safe among men, safe among gods.
Emblem 37
Symbol of harmony
[sceptre on pedestal; two crows stand on it, two fly
overhead ]
The crows' harmonious way of life amongst themselves is
marvellous, and mutual trust remains undefiled for them. Hence
these birds support the sceptre, which is to say - all leaders
rise and fall by agreement of the people. Yet if you remove
harmony from the midst, discord flies in headlong, and drags with
it the fate of kings.
Emblem 38
Harmony
[armed soldiers shake hands ]
When Rome prepared its leaders for civil war and the land of Mars
fell by its own powers, it was the custom, troops coming together
into the same place, to offer right hands be joined in mutual
giving. This is the sign of alliance: harmony has this as a sign,
that whom love unites, the hand itself may also bring together.
Emblem 39
Unconquerable harmony
[six-armed Geryon ready for battle ]
Among the triple brothers there was harmony, at the same time so
much mutual devotion and single love, that unconquered by human
powers they held vast realms, and were called by one name,
Geryon.
Emblem 40
One man can do nothing; two can do much
[Diomedes and
Ulysses ]
The son of Laertes, the son of Tydaeus: side by side the talented
hand of Zenalis drew them on this wax tablet. The former prevails
in the sharpness of his wit, the latter excels in strength. Even
so, one is not lacking in the talent of the other. When the two
come together, victory is certain. But a mind or right hand by
itself, each can fail a man.
Emblem 41
What stands firmest cannot be overthrown
[two winds blow off
its leaves, but the oak-tree stands firm ]
Though father Ocean stir up all his waves and you, barbarous
Turk, drink the entire Danube, even so you will never penetrate
our shattered border so long as the emperor Charles gives signs
of war to foreign nations. Thus sacred oaks stand with steadfast
roots, even though winds shake the dry leaves violently.
Emblem 42
Hope is near
[ship in rough seas, constellation of the Gemini overhead ]
Our state is shaken by innumerable storms, and there is only one
hope for its future safety; just like a ship in the middle of the
sea which the winds grasp, it now breaks up in the briny water.
But if the brothers of Helen, shining stars, appear, good hope
restores those downcast spirits.
Emblem 43
On an image of Hope In the form of a dialogue
[Hope holding weapons is seated on cask, her
companions a crow, Nemesis, Good Outcome, and Cupid are nearby ]
What goddess is this looking to the stars with such a joyous
face? By whose brush was her image rendered?
The hands of Elpidius made me. I am named good Hope, she who
offers speedy help to the wretched.
Why is your robe green?
Because all things flourish when they are directed by me.
Why do you bear in your hands the broken weapons of
Death?
What it is proper for the living to hope for, (those same things)
for the dead I break in pieces.
Why do you sit lazily on the cover of a little vat?
I alone remained at home when the evil things flew off
everywhere, as was taught by the awe-inspiring muse of the old
man of Ascraea.
What bird is that with you?
The crow, most faithful bird of augury. When he cannot speak, it
is well, and when he does speak, so it shall be.
Who are your companions?
Good Fortune, and reckless Cupid.
Why do they go before you?
They summon the empty dreams of the wakeful.
Who is standing next to you?
The Rhamnusian avenger of crimes, so that you will not hope for
anything unless it is permitted.
Emblem 44
Better things to come
[pig roots in earth, farmer points to columns "plus oltre
[ultra ]
At the new year a client brought to me the snouts of a bristling
boar. Take these, he said, a gift for your belly. The boar always
goes forward, nor does it ever look back, as it voraciously rips
apart the grass with its open mouth. This same is the duty of
men: that the hope that's slipped does not fall behind, and that
what's further ahead, be better.
Emblem 45
The forbidden is not to be hoped for
[Hope with bow, wand, and barrel;
Nemesis with bridle and rule ]
Hope and Nemesis are together at the same time upon our altars,
doubtless that you may not hope for what is not allowed.
Emblem 46
Chastity
[shield with bird ("porphyrio") ]
The porphyrion, if its mate commits adultery in the house of her
master, declines in spirit and dies from grief. The cause is
hidden in the mysteries of nature. Let this bird be the genuine
sign of true chastity.
Emblem 47
On victory born of deceit
[Virtue, on tomb of Ajax, pulls out her hair ]
I, Virtue, soak the tomb of Ajax with my tears, alas, wretched,
having rent my whitening hair. Certainly this matter still
remained, that by a Greek judge I should be vanquished: and that
deceit should have the stronger defence.
Emblem 48
Against deceivers
[spotted lizard ]
The little lizard, a newt bestarred on his body with black spots,
who inhabits hiding places and hollow tombs, bears in his
colouring symbols of envy and depraved deceit, symbols known alas
too well by jealous brides. For whoever drinks wine in which a
lizard has been immersed is covered on her face with a loathsome
spotting. From this, a common revenge: the mistress is deceived
by wine, the flower of her beauty's lost, her lover leaves her.
Emblem 49
Deceit against one's own
[fowlers use decoy to trap birds with net ]
A duck fattened as a lure, with feathers of blue, used to come
and go to her masters. Seeing numbers of her own kind flying
through the air, she quacks, and slips into a flock of them,
until she leads the ususpecting birds beneath the nets spread out
for them. The captive birds cry out, but the accomplice herself
is silent. The treacherous bird has defiled herself with the
blood of her kin. Obliging to others, deadly to her own.
Emblem 50
Slanderous words
[wasps on tomb of Archilocus ]
They say that on the tomb of Archilochus wasps were carved with
marble, sure signs of an evil tongue.
Emblem 51
Against those who harbour assassins
[Actaeon ]
A band of thieves and criminals accompanies you through the city,
Scaeva, your retinue girded with terrible swords. And so,
profligate one, you think that you are generous in spirit because
your pot draws to it so many evil men. Behold the new Actaeon,
who, after he assumed his antlers, gave himself as prey to his
own dogs.
Emblem 52
Against flatterers
[Actaeon ]
The chameleon is always gaping, always breathing in and out the
thin air it feeds on, and it changes its appearance, takes on
diverse colours, except for red or white. Likewise the flatterer
feeds on an air of popularity, and, open-mouthed, devours all; he
mimics only the dark habits of the Prince, incapable of the pure
and the chaste.
Emblem 53
It does not behove one who has been careless with his own to be
trusted with the things of others
[Medea ]
Why do you build your nest in the bosom of the Colchian? Alas,
ignorant bird, why do you so wrongly entrust your chicks? Medea,
a horrid parent, most savagely killed her own children, and do
you expect that she will spare yours?
Emblem 54
Recklessness
[charioteer with two horses ]
He's borne headlong, and, in vain, struggles with the reins, that
charioteer whose horse with unchecked mouth impells him forward.
Do not willingly trust that man whom no reason rules, who's
rashly led by his own will.
Emblem 55
Against the reckless
[Phaeton ] You see Phaeton the driver of his father's chariot who
dared to guide the fire-belching horses of the sun. After he
spread vast fires across the earth, he was wretched, having
fallen from the chariot he rashly mounted. Thus many kings, whom
youthful ambition drives on, are raised to the stars by the
wheels of fortune. After great disaster for the human race and
for themselves, they finally pay for all their crimes.
Emblem 56
Anger and rage
[Agamemnon ]
The shield bears the painted face of a raging lion,
Emblem 57
and has
this verse inscribed upon its outer edge:
Here is the terror
of man, whose owner is the Atridean.
These are the signs the
great-souled Agamemnon bore.
Against those who dare anything beyond their
strength
[Hercules and pygmies ]
While he sleeps, while he relaxes his body with sweet sleep
beneath the pine tree, and holds his club and other arms, a pygmy
band thinks itself able to overwhelm Alcides to the death. They
do not know their strength. He, awakened, crushes his enemy like
fleas, and drives off those entangled in the savage lion's skin.
Emblem 58
The impossible
[Ethiopian] ]
Why do you wash, in vain, the Ethiopian? Oh forebear: no one can
brighten the darkness of black night.
Emblem 59
Cuckoos
[Cuckoo ]
Why do many people call rural people or rustic folk cuckoos? What
reason then is given for that? The cuckoo sings in the new spring
at the time when he who has not set free his vines is rightly
called lazy. The cuckoo leaves her eggs in the nests of others,
just like the man for whom a wife betrays the marriage chamber
with her adultery.
Emblem 60
The bat
[bat ]
The authors say Socratic Chaerophoon received his name from the
Meneidan bird. The face of the man was dark, his voice shrill.
With such a sign one was able to mark this man.
Emblem 61
Another, on the bat
[bat ]
It flies only in the evening, it is half-blind in the light.
Though it bears wings, it has other characteristics of a mouse.
The bat is interpreted in several ways. First, it signifies
debtors, who are hidden and who fear judgment. And then
philosophers, who while they seek heavenly things, are dim in
their eyes and see only false things. And, finally, the cunning
who, when they might secretly follow both sides, gain the trust
of neither.
Emblem 62
Wrath
[lion cornered by dogs and hunters beats himself with this tail ]
The ancients said that the tail of the lion is Alcaean; when it
whips from side to side the lion swells with a mighty anger. As
the yellow bile rises up and the distress increases with black
gall, unrestrained fury surges up.
Emblem 63
On one who makes trouble for himself
[she-goat nursing
wolf-cub ]
I, a she-goat, not by my will but with my milk, suckle a wolf
because I am so forced by the careless neglect of the goatherd.
As soon as the wolf has grown, he will continue to feed on me -
up beyond my udder! Evil is not averted by submission.
Emblem 64
Foolishness
[fowler seizes owl ]
You marvel that in my poem you're called Otus, since the ancient
name, from your ancestors, is Otho. It is long-eared, and has
feathers like the owl, and the quick fowler seizes the bird as it
jumps. Hence, those who are foolish and easy to capture I call
Otus. This suits you, so you too -- take this name!
Emblem 65
Forgetfulness, parent of poverty
[lynx neglects food in favour of other
prey ]
When the hungry lynx eats its food, devouring a young deer that
in its hunger it captured, if by chance it looks in another
direction or turns its eyes, having forgotten the present food it
holds in its claw, it seeks an unsure prey, so great its
forgetfulness. He who has neglected his own stupidly seeks the
things of others.
Emblem 66
Pride
[Niobe sees the slaughter of her children ]
Behold a statue of a statue, marble drawn from marble. Insolent
Niobe dared to compare herself to the Gods. Pride is the vice of
woman, and is shown by the hardness of face and by the kind of
feeling that's found in a stone.
Emblem 67
Shamelessness
[Scylla ]
Scylla was biform: a woman down to her genitals, below girdled by
the barking pups of monsters. These monsters are thought to be
avarice, boldness, rape, yet she is Scylla, in whose face lies no
shame.
Emblem 68
Self-love
[Narcissus ]
Because your figure pleased you too much, Narcissus, it was
changed into a flower, a plant of known senselessness. Self-love
is the withering and destruction of natural power which brings
and has brought ruin to many learned men, who having thrown away
the method of the ancients seek new doctrines and pass on nothing
but their own fantasies.
Emblem 69
Chattiness
[reclining man addresses swallow ]
Why garrulous Procne, do you break my morning rests and, Daulian,
sing with noisy voice? Tereus was worthy to be a hoopoe. He
wished to trim with his sword your excessive tongue rather than
tear it out by the roots.
Emblem 70
Envy
[ Envy ]
A filthy woman chewing on viper's flesh,
Emblem 71
whose eyes are in
pain,
who eats her own heart,
who is thin and pale,
who bears in her hand a thorny spear:
so is Envy
depicted.
Excess
[Faunus, satyr and maiden ]
Goat-footed Faunus, his temples bound with cole-wort bears the
undoubted symbols of immoderate Venus. Cole-wort provokes lust,
and the goat is a sign of lechery, and the satyrs are always wont
to love the nymphs.
Emblem 72
The wealth of the dissolute
[fig-tree with crows and ravens ]
On airy cliffs, and on the edge of a high rock, the unripe
fig-tree produces bitter fruit, which ravens eat, which the
wicked crow devours, which have nothing of benefit to man. Thus
parasites and whores delight in the wealth of stupid men, and
offer just men no good.
Emblem 73
The tomb of a prostitute
[tomb; lionness attacks ram ]
Whose tomb is this, whose urn? Does it belong to Lais of Ephyra?
Oh, did the Fate not blush to destroy such beauty? There was no
beauty then, age had already seized it; the crafty hag had
already dedicated her mirror to Venus. What's the meaning of the
carved ram, whose hindquarters a lioness has seized in her claws?
She likewise held her lovers captive. A ram is master of the
flock, a lover is held by the buttocks.
Emblem 74
Against the lovers of prostitutes
[fisherman, as goat, nets fish ]
The fisherman wrapped himself in the hide of a hairy she-goat and
added a pair of horns to his head; standing on the edge of the
shores he deceives the sargus, a lover whom desire for the
flat-nosed herd draws into the nets. The she-goat reminds one of
a harlot; the sargus is like a lover, the wretch who
perishes, trapped by an obscene passion.
Emblem 75
One ought to beware of prostitutes
[Circe ]
It is said the powers of Circe, offspring to the Sun, were so
great that she turned many men into strange monsters. Picus,
tamer of horses, is proof, likewise biform Scylla, and the
Ithacans, pigs after they drank the wine. Circe, by her famous
name, discloses the prostitute, and whoever loves her, loses the
reason of his mind.
Emblem 76
The amulet of Venus
[Venus covers Adonis with lettuce ]
His groin having been pierced by the boar's tusk, Cypris covered
her lifeless Adonis with leaves of lettuce. Hence it is that
lettuce so exhausts the female genitals, that lust-provoking
eruca can scarcely stimulate them.
Emblem 77
Those immune to Cupid's arrow
[bird (the "motacilla") flies within
two narrow circles ]
Lest cruel love conquer you, or any woman ravage your mind with
her magic arts, let the bird of Bacchus, the motacilla, be
made ready to attend you. This quadriradial bird you should place
in a circular orb, so that it forms a cross with its beak and its
tail and two wings. This shall be an amulet for all enchantment.
With this sign of Venus, it is said, Pegasean Jason could be
unharmed by Phasian treacheries.
Emblem 78
Lechery
[richly attired woman ]
It's believed that the white mouse shows pleasure and wantonness,
but the reason is not all that clear to me. Is it because its
nature is lecherous and its lust is great? Or because with its
skin it adorns the young women of Rome? Many call the Sarmatian
mouse a sable, and Arabian musk is famous for its delightful
ointment.
Emblem 79
Those sinning against nature
[woman defecates in vessel for food ]
It is certainly shocking as a deed, but also a thing wicked to
relate, if anyone were to empty the burden of his bowels in a
choenix. This would be to exceed the measure and limit of
holy law, just as it would be to be defiled by impure adultery.
Emblem 80
Idleness
[Essene looks at stars while he sits on barrel, fire beneath ]
An Essene sits idly on a bushel, and looks to the stars. Beneath
he holds a torch, lit with fire. Sluggishness, in the appearance
of the righteous, hidden by a hood, is of use neither to himself
nor to others.
Emblem 81
That idleness ought to be thrown aside
[idle men in conversation ]
Whoever's lazy, let him be off. For the sacred doctrine of the
old man of Samos does not allow us to sit upon the choenix. So,
rouse yourself. Get your hands used to hard labour, that tomorrow
may give you measured meals.
Emblem 82
Against those who fall easily from virtue
[remora holds back ship ]
Small as a snail, the remora is able by itself to stop a ship.
It's disdainful of the force of wind and oars. So some petty
circumstance can check in mid-career certain men who are, by
genius and by virtue, headed for the stars. Likewise a tormenting
law-suit, or a passion for a prostitute, draws youths from their
distinguished studies.
Emblem 83
Lazy men
[Asterias the slave, transformed to heron; Ardelio, the busybody, flies overhead
as falcon ]
The old story was that a little heron with the radiance of a
star depicted the labours and the habits of a lazy slave, and the
story goes that the slave Asterias took on the shape of the bird.
It is a fiction. Let there be faith in historians. The degenerate
man, who like a falcon minces about in the air, is called Ardelio
by the ancient poets.
Emblem 84
Avarice
[Tantalus ]
Alas, wretched Tantalus, in the middle of the waves, stands there
thirsty, and, starving, cannot have the nearby fruit. Change the
name, and this will be said of you, o greedy man, you, who,
almost as if you had it not, do not enjoy what you have.
Emblem 85
Against misers
[ass with food on back eats thistles ]
Septitius, the richest of them all, no old man has vaster lands
than he. He's denied himself both his own enjoyment and prepared
his table; he devours nothing but beets and tough turnips. With
what shall I compare this man, whom wealth makes poor? Why not an
ass? Yes, that's it! That's what he resembles! For an ass bears
on its back costly victuals. He's a pauper who feeds himself on
brambles and tough reeds.
Emblem 86
Against courtiers
[courtier in stocks ]
It's said the deceptive court binds in golden stocks those
favourites it trains as chamberlains.
Emblem 87
Against unclean men
[ibis puts beak in anus ]
The ibis, which cleans its bowels with its own beak, as with a
clyster, is well known on the banks of the Nile. It became a name
of disgust, by which Publius Naso named his enemy, and the son of
Battus, his.
Emblem 88
Against the wealthy, by public mischief
[eel fisherman muddy waters ]
Whoever is trapping eels, if he should sweep the limpid streams,
if he should dare to step into mud-free pools, it shall be in
vain, and he shall merely play at work: but if he should greatly
stir up clay, and agitate the glassy waters with his oar, he
shall be rich: so it is that the rebellious state is profitable
for those, who in time of peace and checked by laws go hungry.
Emblem 89
Against greedy men; or, those to whom a better situation is
offered by strangers
[Arion and dolphin ]
Arion ploughs through the blue waves, seated on a dolphin,
soothing its ears and bridling its mouth with a song. The mind of
beasts is not so cruel as that of the greedy man: we who are
robbed by men, are saved by fish.
Emblem 90
Gluttony
[man with long neck holds birds ]
A man is depicted with the neck of a crane, with swollen belly;
in his hands he holds a mew or pelican. Such was the image of
Dionysius, and such Apicius, and those whom seductive gluttony
makes famous.
Emblem 91
The picture of Ocnus: on those who give to prostitutes what ought
to be turned to good use
[Ocnus the
rope-maker; ass eats the rope ]
The hardworking man never ceases braiding rope from grass,
joining moist strands with his skilful hand; yet, as much as he
with difficulty can turn in many hours, the she-ass of slothful
stomach devours right away. Woman, that lazy beast, seizes from
her good-natured husband the money he heaped up, and wastes it
on her own adornment.
Emblem 92
Against parasites
[ ]
Take these river-crabs we give to you; these gifts suit your
character. They have watchful eyes, many a row of claws armed
with pincer, a vast belly. Thus your gut, with its fat stomach,
hangs down; you have agile feet, and stings are fitted to them.
As you go about in the cross-roads, you wander by the chairs and
tables, and, bitter, hurl sharp taunts at others.
Emblem 93
For two gluttons, a small kitchen does not suffice
[two birds fight over possession of a tree ]
In small things there is nothing to gain; and one orchard does
not feed two robins.
The same
In tiny things there is no hope of gain; and two fig-peckers will
not dwell happily in a single orchard.
Emblem 94
Trapped by gluttony
[mouse trapped in oyster shell ]
Lord of provisions, and nibbler of the master's table, a mouse
saw the oysters gape with lips spread wide. He put his soft beard
inside, and bit their deceptive bones: but when the oysters were
touched, they suddenly slammed shut their dwelling-place. They
held within the hideous prison the captured thief, who had given
himself into this darkened tomb.
Emblem 95
Against the garrulous and gluttonous man
[pelican ]
It bellows with a wild cry, its stomach is grotesquely large, and
instead of a beak it has a nose, a trumpet of many holes. A
deformed ranter, addicted to his stomach and his gullet - so a
bird will signify when it is depicted as a pelican.
Emblem 96
On the nicknames of professors
[professor addressing scholars from podium ]
It's a long-standing custom to apply certain names to
professors.
Curtius, who explains only easy and obvious texts, is called "The
Canon."
The one who wanders about in the same place - as does Parisius -
and who repeats himself excessively, is named "Meander."
He who is obscure and confused, as was Picus, will be named "The
Labyrinth."
The one who's too brief, who cuts too much, as does Claudius, he
will bear the name "The Sword."
Parpalus, who breaks apart even columns with his voice, is by his
students named "The Pelican."
Albius is rather differently named. Because he's weak of voice,
he's called "The Bat."
But Crassus, who mutilates his syllables by gobbling them, he is
called "The Swallow."
The one who's deaf to others, who wishes to be the only one to
speak, he's like the starling in the proverb.
This one stammers, that one's hoarse, and that other one's a
chatterbox; and this one hisses like a viper.
That one roars with wide-stretched mouth and nostrils; this one's
tongue's an auger.
One gasps and, hesitating, coughs. But another spits - just like
a hairdresser.
As many faults as are in the human condition, so many names
spring up.
Emblem 97
Nature
[Pan ]
The people reverence Pan (that is to say, the nature of things),
a man who is half-goat, a god who is half-man. He is a man down
to his loins because the virtue implanted in us, rising from the
heart, is seated in the high citadel of the head. Below, he is a
goat, because nature continues us through time by means of
copulation, like birds, fish, brute animals and wild beasts.
Because this is common to other living creatures, the goat is the
sign of lechery and bears the open marks of Venus. Some give
wisdom to the heart, others to the brain. No moderation or reason
rules the baser things.
Emblem 98
Art aiding nature
[Mercury with caduceus, Fortune on globe, with
cornucopia ]
Emblem 99
On youth
[Apollo and Bacchus ]
Both sons of Jupiter, both young and beardless, one born of
Latona, the other of Semele: greetings! And, together, flourish
in eternal youth, which by your will may - for me - be
long-lasting. You (son of Semele) care for us with wine, and you
(son of Latona) ease our illness with food so that bent old age
may come to us with slow pace.
Emblem 100
On the four seasons of the year
[four birds: fringilla, hirundo, cuculus,
ficedula (robin, swallow, cuckoo, beccaficos) ]
The winged robin declares that winter has arrived. The twittering
swallow returns to us in early spring. The cuckoo announces that
he himself expects the summer. Fig-peckers are seen only in the
autumn.
Emblem 101
The cup of Nestor
[Nestor, holding cup ]
Take this Nestorean cup with its double bowl, a work of art
produced from a mass of weighty silver. Its studs are made of
gold, and four handles surround it; on each of these sits a
golden dove. Though he was advanced in years, only Nestor could
lift it. Maeonian, would you teach us what the Muse meant
thereby? The cup itself is the sky, and it has a silvery colour;
the studs are the golden stars of heaven. What he called doves
are thought to be the Pleiades; and the bear, both the Greater
and the Lesser form its twin centres. From long experience, wise
Nestor understands these truths: strong men wage wars, a sage man
holds the stars.
Emblem 102
That which is above us is nothing to us
[Prometheus ]
Prometheus hangs eternally on the Caucasian rock; his liver is
ripped apart by the talon of the sacred bird. He might regret
that he made man; detesting potters, he condemns the flame lit by
the stolen fire. The breasts of wise men - those who seek to know
the conditions of heaven and the gods - are gnawed by divers
cares.
Emblem 103
Against astrologers
[Icarus ]
Icarus, you who were carried off through the heights and air,
until the melted wax gave you headlong to the sea, now the same
wax and raging fire revive you, that by your example you might
teach us sure lessons. Let the astrologer beware of predicting
anything. For the imposter will fall headlong, so long as he
flies above the stars.
Emblem 104
Those who contemplate the heights, fall
[hunter looses bow at
crane; snake bites his leg ]
While he deceives thrushes with lime and larks with a net, and
the arrow that he loosed pierces the high-flying crane, the
heedless fowler strikes down with his foot upon a snake. That
avenger of evil shoots forth from its mouth a venom. Thus the man
dies, who looks to the stars with drawn-back bow, untroubled by
the destiny that lies before his feet.
Emblem 105
Love, the most powerful passion
[Amor drives team of lions ]
See how the boy Love, unconquered charioteer, engraved on a
gem-stone, overcomes the power of the lion. See how with one
hand he holds the whip, with the other he directs the reins. See
how in the face of this boy there is much beauty. May the
dreadful affliction be kept far off. Would he, who overpowers
such a beast, ever restrain his hand with us?
Emblem 106
The power of Love
[Amor holds fish and bunch of flowers ]
Do you see how unclothed Love smiles and looks so gentle? He has
no torches, nor bows which he could bend. But in one of his hands
he bears flowers, in the other a fish. That's to say he sets the
law on land and sea.
Emblem 107
The force of Love
[Amor holds broken thunder-bolt ]
The winged god has broken the winged lightning-bolt. Now Love
shows that there is fire stronger than fire.
Emblem 108
On a scholar, overcome by love
[scholar with Athena on one side
points to Venus and Amor on the other ]
Immersed in his studies, skilled in oratory and law, the most
distinguished notary loves Helianira even more than the Thracian
king ever loved the concubine he took in her sister's place. O
Cyprian, why have you vanquished Pallas, with another judge? Is
it not enough to conquer below Mount Ida?
Emblem 109
Anteros, which is the love of virtue
[Anteros seated with four
garlands ]
Tell me where are the curving bows? Where are the weapons, Cupid,
by which you are accustomed to transfix the tender hearts of the
young? Where is your sad torch? Where are your arrows? Why does
your hand bear three garlands? Why does your decorated forehead
bear another garland?
Nothing in me welcomes the common Venus, and no form of pleasure
has captivated me. But I kindle in the uncorruputed minds of men
the fires of learning, and draw their spirits to the lofty stars.
And out of that very virtue I weave four garlands, of which the
first, that of Sophia, decks my temples.
Emblem 110
Anteros: the love of virtue overcoming the other Cupid
[Anteros binds Amor to tree while Amor's weapons burn ] Nemesis has painted the winged
enemy of winged Love,
overcoming bow with bow, and fire with fire, so that he suffers
what he's done to others. But this boy who once bore his arrows
undaunted now weeps wretchedly. Three times he spits in the
innermost part of his bosom. A marvelous thing, fire is burned by
fire, and Love hates the madness of Love.
Emblem 111
Sometimes sweet things become bitter
[Amor, chased by bees,
runs to Venus ]
Having left his mother far off, the Lydian child went off some
way. But you, cruel bees, attacked him. He came to you, thinking
you were gentle birds, yet a cruel viper would not be so vicious.
Ah, you give stings in exchange for the gift of sweet honey;
alas, o pain, no favour is given without you.
Emblem 112
Almost the same, out of Theocritus
[Amor, chased by bees, flies to his
mother ]
As he gathered honey from the hives, an evil bee stung Amor the
thief, and left the sting at his finger's end. The boy distressed
with swollen finger moans and, wandering about, stamps the earth,
and shows his sore to Venus, and complains bitterly, that a
little bee, small creature, can inflict such painful wounds.
Venus laughs at him. You also, my son, imitate this creature -
you who are small give so many painful wounds.
Emblem 113
On a statue of Love
[Amor stands holding shield with figure of pomegranate ]
Who Amor is many poets have sung in times past, celebrating his
deeds under his various names.
It is agreed that he is unclothed, and is small of stature; and
though he has weapons and wings, he has no sight in his eyes.
This face, this appearance are those of a god. But if I may
pronounce judgment on poets of such stature, I think falsehoods
lie concealed.
Why does he go naked? Is it as if a god lacks mantles, though he
possesses all the wealth of the world he has subdued;
or, though naked, I ask you, could he have escaped the snows, and
Alpine Boreas, and meadows in the tight grasp of cold?
If he is a boy, do you call him a boy who conquers Nestor? Or
don't you know the learned poetry of the old Ascraean?
This capricious boy, hardens hearts which once he has passed
through, he cannot of his own accord forsake again.
But he carries a quiver and arrows - why the needless weight, or
is the child strong enough to bend the fearful bow?
He bears his wings in a curve, but knows not how to raise them
into the heavens? He has not the skill to dispatch his arrows
into the hearts of flying things.
He creeps on the ground, always wounds the mortal hearts of men,
and like a stone, he moves not his wings from there.
If he is blind and wears a garland, why is such a headband useful
to a blind god? Surely he will not see less on account of it?
Or who would believe in a sightless arrow-bearer? Though they are
the random darts of a blind archer, the arrows this boy sets in
motion are inescapable.
He is fiery, they say, and he fans flames in his heart. Come now,
why does he still live? Flame devours all.
Why is it not extinguished even by the swelling waves of the
Naiads as often as he steals into their gentle hearts?
But lest you fall prey to such gross errors, listen: my verses
will tell you what true Love is:
it is delightful labour in lascivious dalliance, and its symbol
is a Punic acorn on a black shield.
Emblem 114
On forgetting one's homeland
[Ulysses stands over his men, sleeping at
base of lotus tree ]
For a long time, you've neglected your homeland, and forgotten
your own, those things whom blood or love gave to you. You live
in Rome; nor do you give any thought to returning home, so much
has the charm of the immortal city overcome you. Thus the band of
Ithacans, who'd been sent ahead, abandoned their country for the
delight of lotus, and abandoned their leader too.
Emblem 115
Sirens
[Sirens, Ulysses tied to mast of ship ]
Birds without wings, maidens without legs, and fish without
snouts, who nevertheless sing with a mouth - who would think such
things to be. Nature says these parts do not combine, but sirens
show it has been possible. This woman who has a tail of a black
fish is seductive; for lust brings with it many monsters. Men are
attracted by look, by words, by brilliance of spirit - by
Parthenope, by Ligia, and by Leucosia. The Muses pluck off their
feathers, and Ulysses makes sport with them: which is to say,
learned men have nothing to do with harlots.
Emblem 116
An old man in love with a maiden
[Sophocles, an old man, with hand on
breast of Archippe, the young maiden; in distance, owl stands on chest of corpse ]
When Sophocles, though much afflicted by age, drew the maid
Archippe from prostitution to his own desires, and allured her by
money, a young man, mad with jealousy, bore it bitterly, and
described both of them with these lines:
Emblem 117 like a
night-owl among the tombstones,
like a horned owl over
corpses,
so my girl now sits with Sophocles.
On colours
[Sophocles, an old man, with hand on
breast of Archippe, the young maiden; in distance, owl stands on chest of corpse ]
The colour dark grey is sign of sadness; we all wear this
clothing when we make our sacrifices at the graveside.
But a white robe is sign of an honest soul and pure mind; hence
fine linen is pleasing to holy men.
Green teaches us to hope. Hope is said to be in green - how often
it falls away unfulfilled.
Yellow is the colour for greedy people. It is right for lovers
and prostitutes, and for those whose hope is certain.
But, let a red garment adorn the armed horsemen, and let shame
display the boys whose faces redden.
Sea-blue is the the colour of sailors and those prophets who,
stunned senseless by too much religion, seek things from
heaven.
Natural wool for dun-coloured coverings is cheap; such blankets
are commonly owned by men with wooden clogs.
He whom massive cares or jealous love torment - he is believed to
be appropriately dressed in yellow cloth.
Whoever is happy with his lot, let him wear violet-coloured
garments; likewise he who calmly bears the weariness of
fortune.
As nature is varied in producing colours, so different things
please different people. But to each of us, our own things are
pleasing.
Emblem 118
Fortune, companion of virtue
[caduceus crowned by the winged hat of
Mercury, two cornucopia, one on each side ]
Encircled by a pair of snakes and wings, the caduceus rests
upright between the horns of Amalthea. Thus it shows that a great
abundance of things blesses men who are strong of mind and
skilled in speaking.
Emblem 119
Fortune overcoming virtue
[Brutus stabs himself with dagger ]
When Brutus was vanquished by the Caesarean host, he saw
Pharsalia awash in the blood of citizens, and now about to draw
his sword and plunge it into his breast in death, he delivered
from his bold lips these words: Unhappy virtue, wise only in
words, why in life's flux do you yield to Mistress Fortune?
Emblem 120
Poverty hinders the greatest talents from advancing
[man, winged arm raised upward, other arm weighed down by stone ]
My right hand holds a stone, my other hand bears wings. As the
feathers lift me, so the heavy weight drags me down. With my
intellect I could be soaring among the highest peaks, if envious
poverty did not pull me down.
Emblem 121
On opportunity
(In the form of a dialogue)
[Occasion, bald with forelock, razor, on winged globe ]
This is the work of Lysippus, whose native city is Sicyon.
Who are you?
A moment of time seized, holding sway over everything.
Why do you stand on tiptoe?
I am constantly moving about.
Why do you keep winged sandals on your feet?
The light breeze carries me hither and thither.
In your right hand is a slender razor. Pray, why?
This symbol teaches that I am keener than every blade.
Why the tuft of hair on your brow?
So that I can be seized as I approach.
But tell me, why is the back of your head bald?
If someone once lets me go, swift as I am, I cannot then be
captured by my hair.
Emblem 122
It is for your sake that the artist has
made me with such skill, stranger;
and that I may be a
warning to everyone, I am placed in an open hall.
On sudden terror
[Pan with horn, horsemen flee ]
Seeing the troops flee in a disorderly throng, Faunus asks, Who
now blows my horn?
Emblem 123
On those who praise what is not worthy of praise
[elephant, trophies of
war]
Though taken aback, Antiochus had unexpectedly routed the vast
hosts of the Galatians with a half-armed soldiery because the
savage force, the rage, and the trunks of his Lucarian oxen then
for the first time wrought havoc among an enemy's horses.
Accordingly, when mounting his trophies he painted them with the
image of an elephant, and also spoke thus to his comrades: We had
been slaughtered, had not the elephant, most dreadful beast,
saved us: while it is pleasing to have won, it is shameful to
have won this way.
Emblem 124
On brief happiness
[pine-tree encircled by vine with gourds ]
A gourd is said to have sprung up close to an airy pine tree, and
to have grown apace with thick foliage: when it had embraced the
pine's branches and even outstripped the top, it thought it was
better than other trees. To it spoke the pine: Too brief this
glory, for soon to come is that which will completely destroy you
- winter!
Emblem 125
One man's loss is another man's gain
While they rushed to wound each other with savage weapons, the
lioness with her dangerous claw, the boar with fearsome tooth, a
vulture arrived to watch, and to await his feast. His future
plunder is the glory of the victor.
Emblem 126
One ought to begin with good omens
[man with pack on back
confronted by weasel ]
Something begun with bad omens does not know how to turn out
well. What is conducted under a happy omen delights. Whatever you
are doing, drop it if a weasel crosses your path: this dreadful
beast brings signs of bad fortune.
Emblem 127
Nothing left
[locusts on cornfield ]
Even after so many disasters, this was lacking - that in the end
locusts would descend upon whatever was left in our fields. We
witnessed innumerable swarms bearing down, with Eurus leading the
charge; even the armies of Attila and of Xerxes were not like
this. These beasts consumed the corn, the millet, the spelt, all
of it: even hope is in difficulties; beyond only prayers remain.
Emblem 128
Ill gotten, ill spent
[kite regurgitates intestines while another kite
looks on ]
The greedy kite, tormented by nausea from an excess of food: "Lo
mother, my insides are flowing out of my mouth." She in return:
"Why are you complaining? Why do you think these insides are
yours, since you live by theft, and vomit only what belongs to
others?"
Emblem 129
That misfortunes are ever at hand
[three women at gambling table,
one just having been struck by a collapsing roof ]
Three girls of the same age once played a dice-game to determine
who would go first to the Stygian waters. The girl whom the game
of chance had given the unlucky throw was laughing, blind to her
fate - when suddenly she was killed by a blow to the head from a
falling roof-tile. She paid for her audacious merriment with her
life. In life's adversities, you can't escape bad luck: yet even
in good times, neither prayers nor deeds suffice.
Emblem 130
That there are benefits in what is difficult, evils in what is
easy
[three litae wave at the flying Ate ]
Since Jupiter threw down Ate from his ethereal seat, alas how
evil mischief vexes men. She flies about, speedy of foot and
swift of wing, and leaves nothing untouched by calamity.
Therefore the Litae, offspring of Jove, accompany her as she
goes, prepared to repair whatever damage she has done. But
because they are slow-footed, half-blind, weary with age, they
restore nothing to its rightful condition, except after a long
time.
Emblem 131
From difficulties, a lasting fame
[snake devours the sparrow's young ]
A sparrow had entrusted her family to the branches of a plane
tree, and safely too, had they not been noticed by a savage
snake. All the chicks and their wretched mother this creature
devoured. Deserving of such a death, the snake was turned to
stone. If Calchas does not lie, these are the records of long
labour, whose fame goes on for ever.
Emblem 132
That immortality is attained by literary studies
[Triton blows his horn, surrounded by oroboros ]
Triton, the trumpeter of Neptune (whose lower part shows he is a
sea-monster, whose face shows him to be a god), is enclosed in
the middle of a circle of a snake, who seizes his tail in his
mouth with his teeth. Fame pursues men worthy in spirit and their
splendid deeds, and commands that they be read by all the world.
Emblem 133
The tomb of Giangaleazzo Visconti, first Duke of Milan
[funeral mound with soldier at top, holding staff with helmet and snake spitting forth a child, the
mound with tryptich, Italy in centre panel ]
Instead of a tomb place Italy, place arms and dukes, and the sea
which thunders up the twin gulfs. Add to these the Barbarian
attempting in vain to break through, and bands of men bought at a
price for fierce wars. Yet the serpent-bearer standing on top may
say: who has placed me, a great man, over these tiny things?
Emblem 134
The finest citizen
[Thrasybulus is crowned with olive ]
Because he defends his country with rightful arms, and orders
each side to set aside dissension, all ranks together have
bestowed upon him, to have as his own, in place of a magnificent
gift, the garland of Pallas' greenery. Bind your hair,
Thrasybulus! May you alone display this mark of honour. In this
great city, you have no peer.
Emblem 135
The immortal fame of men of action
[Thetis places amaranth on
the tomb of Achilles ]
You see here on the Rhoetean shore the tomb of the Aeacidean,
visited often by the pale foot of Thetis. This tomb is always
covered with green-growing amaranth because the hero's honour
will never die. This man is the protector of the Greeks, the
destroyer of great Hector. He owes no more to the Maeonian than
the Maeonian owes to him.
Emblem 136
Noble, and well-born
[An Athenian, marked by a shoulder fastening in form
of cricket, and a Roman, with moon on boots, sit facing one another ]
A golden clasp fastened the Cecropian robes; to this a cicada was
joined, tenacious of tooth.
A half-boot, with a small moon attached in the Arcadian manner,
was worn by the Roman fathers as a shoe denoting high office.
Men distinguished by ancient nobility bore these symbols, to
declare themselves native-born.
Emblem 137
The twelve labours of Hercules
[Hercules, surrounded by signs of his twelve labours ]
His eloquence outstrips the praise for his invincible might.
He untangles the sayings of Sophists, and their silly snares.
No fury or madness is more powerful than virtue.
Wealth yields to the wise man because his course is
unswerving.
He spurns avarice, and rejoices neither in plunder nor profit.
He outwits feminine wiles and despoils them of their trophies.
He cleans out filth, and brings cultivation to men's minds.
He abhors illicit intercourse, and banishes the offenders.
Barbarity and crass savagery pay a price in the end.
The virtue of one scatters the assembled foe.
He brings into his country a wealth of good things from foreign
shores.
In men's learned words he flies, and never perishes.
Emblem 138
On bastards
[Jupiter holds the baby Hercules to the breast of sleeping Juno ]
May you who are illegitimate always celebrate the deeds of
Hercules, for of your order he was the chief. Nor could he be a
god until, as an infant, he sucked the milk which Juno, ignorant
of the deception, gave.
Emblem 139
Inequality
[duck, goose, jackdaw feed on the ground, while the falcon flies overhead ]
As the falcon flying aloft cuts through the thin air
Emblem 140
as the
jackdaw, the goose, and the duck feed on the ground,
so the
mighty Pindar soars above the highest ether,
and so
Bacchylides knows only how to creep on the ground.
On those who fall away
[she-goat knocks over pail of her own milk ]
In that you have disgraced excellent beginnings with a base
outcome and turned your advantage into injury, you have done as
the she-goat when she kicks over the pail of her milk, and with
her hoof spills her own riches.
Emblem 141
Unequal rivalry
[ ]
The lowly kite accompanies the soaring falcon, and takes part of
the prey, which often tumbles down. The bream follows the mullet
and greedily takes within his mouth the banquet rejected and
bypassed by him. As these, so Oenocrates with me: the students'
lecture- hall, when I leave, uses this half-blind man as eye.
Emblem 142
From Albutius to Master Alciatus, persuading him to withdraw from
the conflicts of Italy and to teach in France
[man carrying platter of fruit, walks away from fruit-laden tree ]
The tree which supplied these fruits, a newcomer to our region,
came earlier from the eastern extremity of Persis. It was
improved by its migration, in that while once it yielded
poisonous fruits in its own country, here it bears us sweet ones.
It has a leaf very like a tongue, and fruit very like a heart.
Alciatus, learn from it how to live your life. Far from your
country you will be held in higher estimation; for you are most
wise in your heart and are no less vigorous in speech.
Emblem 143
The prince, ensuring the safety of his subjects
[dolphin wrapped around anchor ]
Whenever the Titan brothers stir up the the oceans, then an
anchor thrown out gives aid to the wretched sailors. This the
dolphin, devoted to mankind, embraces so that it can fix more
safely in the deepest seas. How fitting that kings bear these
insignia mindful that they are to their people what the anchor is
to sailors.
Emblem 144
On the senate of a good prince
[blind king sits before advisors without
hands, also seated ]
Here, before an altar to the gods, sit statues with their hands
cut off, and the foremost among them has no sight. These symbols
of the highest authority and of the sacred Senate were devised by
the men of Thebes.
Why are they sitting down?
Because it behooves grave judges to be of calm demeanour, and not
to waver frivolously.
Why do they have no hands?
So that they should take no bribes, or let themselves be swayed
by promises or gifts.
But the Prince is blind.
Because the steadfast Senate carries out what he has decreed
without emotion, with his ears alone.
Emblem 145
The counsellors of princes
[Chiron the centaur schoolmaster of Achilles ]
Chiron is said to have instructed in his stables great Achilles
and the sons of heroes. Whoever cares for kings should be a
teacher who is half a beast. a Centaur who is half a human. He is
a beast when he injures his comrades, when he tramples his
enemies; and he is a man when he feigns devotion to his people.
Emblem 146
The wealth of a tyrant is the poverty of his subjects
[naked woman reclines on bed ]
What the spleen is to the human body, Caesar said his treasury
was to the common weal. If the spleen swells, the other powers of
the body dwindle; if the treasury swells, this shows civic
poverty.
Emblem 147
What Christ does not take, the treasury seizes
[king
squeezes sponge; thieves (the king had himself advanced) hang from a distant gibbet ]
The clenched hand of a greedy ruler squeezes a wet sponge which
he had earlier filled with water. He raises thieves to high
position, then locks them up, that he may take their ill-gotten
gains for his own treasury.
Emblem 148
The mercy of the prince
[king of the wasps (sic, for bees) before his hive ]
That the king of wasps will never sting, and that he'll be twice
as large as others - these will declare merciful governance,
moderate kingship, and sacred laws entrusted to good judges.
Emblem 149
The public good
[snake of Aesculapius worshipped by sick men ] The Epidaurian, son of Phoebus, occupies
the lofty altar
and this gentle god takes the form of a huge serpent. The sick
hasten there and implore him to come as healer. The god
acquiesces and sees that prayers are answered.
Emblem 150
The republic set free
[coin of Brutus, with two daggers, freedman's cap, and
"id"(ibus) "mar"(tiis) or ides of March written between ]
Upon the death of Caesar,as if liberty had been restored, this
coin was struck for Brutus' leading men. In the foreground are
daggers, over which is set a cap of the kind that slaves receive
when they are freed.
Emblem 151
On human life
[laughing Democritus, weeping Heraclitus ]
Weep for the troubles of human life now more than usual,
Heraclitus: it overflows with many calamities. You, on the other
hand, Democritus, laugh even more, if ever you laughed: life has
become more ridiculous. Meanwhile, seeing these things, I wonder:
how far in the end, Heraclitus, I may weep with you, or how,
Democritus, I may joke merrily with you.
Emblem 152
Safety should at times be bought with money
[beaver
pursued by hunter and dogs bites off its testicles ]
Though limping, its swollen underbelly sagging, the beaver
nonetheless escapes the trap by this strategy. With its teeth, it
rips off its healing genitals, and casts them away, knowing it is
being hunted for them. By the example of this animal, learn not
to spare your possessions but to give money to your enemies, in
order to preserve your life.
Emblem 153
One ought not to wrestle with ghosts
[hares play about and bite a
dead lion ]
Dying at a blow from the Aeacidean's spear, Hector who had so
often conquered his foes, could not restrain his voice, as his
enemies taunted him, preparing chains to bind his feet to his
chariot: "Pull me apart as you wish - even timid hares pluck out
the beard of the lion when his life is gone!"
Emblem 154
On Death and Love
[Amor and Death have mistakenly confused their
arrows; Amor has killed a young man; Death has given love to an old man who escorts a young
woman ]
Death was wandering, his arm in that of his companion Cupid:
Death was carrying the quiver, little Love his arrows. They
stopped at the same time, and at the same time lay down for the
night. Love was blind, and Death became blind at this time. Each
picked up the other's uncaring arrows, Death the golden ones, and
the youth the weapons made of bone. Thus, an old man who should
now be in Acheron lo and behold falls in love and prepares floral
garlands for his head. And, because Love has struck me with the
wrong arrow, I am dying and the fates lay their hand upon me.
Spare me, o youth; and Death, holding the standards of victory,
spare me: make sure that I am the one who loves, and that the old
man goes down to Acheron.
Emblem 155
On a beautiful maiden snatched away by fate
[Eros or Amor or
Cupid is asleep under a tree and beside him are hourglass and scythe; Death holds the bow and
arrow ]
Why did you dare, o Death, to mislead the boy Love by guile, so
that he would shoot your weapons thinking they were his?
Emblem 156
On too early death
[tomb, decorated with Gorgon's head flanked by two
dolphins ]
A youth, quite lovely and distinguished throughout the city, who
with his beauty attracted tender maidens and wrung their hearts,
died before his time. He deserves to be mourned by none more than
you, Arestius, to whom he was joined in chaste love. You
therefore put up a tomb to him, a monument to your profound
sadness, your voice reaching thus in mourning to the stars: "You
depart without me my beloved? Shall we go forth together no more?
Will you not while away with me pleasant leisure hours in
affection? No, the earth will cover you, and the face of the
Gorgon and the dolphins will provide the mournful symbols of your
fate."
Emblem 157
Terminus
[terminus on pedestal ]
A squared-off column is dug into the ground, a solid block; on it
stands a bust of a man with ringlets, and proclaims he yields to
no one. Such is Terminus; this end alone drives our race. The
date is unmovable, the time foreordained by fates, and the last
days bring a judgment on the first.
Emblem 158
The inheritance of a rich man
[raven and vulture peck at corpse; in distance
the Trojans receive the arms and spoils of Patroclus, the Greeks receive the body ]
On one side, the Trojans seize Patroclus in his borrowed armour;
on the other, his allies and the whole Pelasgian host oppose the
action. Hector gets possession of his arms, the Greeks his body.
This drama is played out whenever a rich man dies. A grand
dispute arises, but at length the heir settles the matter,
allowing something to the ravens and the vultures.
Emblem 159
Friendship lasting even after death
[grape-vine coils about
the trunk of a dead elm ]
A vine, covered in vibrant greenery, has embraced an elm, dry
with age and even stripped of foliage. It acknowledges natural
change, and gratefully gives back to its parent the reciprocal
obligations of service. And so by example it counsels us to seek
out friends those whose pact of friendship is not broken even by
death.
Emblem 160
Mutual support
[lame man leads way from the shoulders of blind man ]
A lame man is carried upon the shoulders of one who has lost his
sight. With his eyes, the lame man repays this service of his
friend. In what one lacks, it is agreed, the other is superior;
one man borrows eyes, the other man borrows feet.
Emblem 161
Support that is never wanting
[Myrtilus escapes by floating away
on his shield ]
When I was overwhelmed on land, or overwhelmed at sea, I
carefully escaped the double danger by a single piece of armour.
My shield kept me safe from the line of battle; when I was
shipwrecked, it carried me, as I clung to it, right to shore.
Emblem 162
The Graces
[the Graces, Aglaia, Euphrosyne, and Thalia, with winged feet ]
The three Graces attend Venus, and follow their mistress, and so
prepare delights and things to eat. Euphrosyne brings happiness,
Aglaia, glorious radiance, and Pitho is Persuasion herself,
winsome and pleasing of speech.
Why are they naked?
Because loveliness resides in honesty of mind and pleases through
its utter simplicity.
Is it because the ungrateful give nothing back that the
Graces' casket is always empty?
The one who gives gifts goes naked and does without.
Why have their feet been recently attired with winged
sandals?
The one who gives quickly, gives twice; generosity that is slow
to appear is almost worthless.
Why does one turn with the others' arms around her?
Giving graciously makes interest. When one is let go, two remain
to the giver.
Jupiter is father to them all. From heavnly seed Eurynome brought
forth the divine creatures, dear to all.
Emblem 163
Against detractors
[one hand holds a cricket by one wing, the other hand holds a
pennant-like whisk to chase away surrounding flies ]
Dolts brandishing whips and stupid schoolteachers dare to vomit
the bile of their impure hearts against me. What should I do?
Return the favour? But will I not be said to have seized the
clamorous cricket by one wing? What use is it to banish insects
with busy flapping? More satisfactory to ignore what you can't
destroy.
Emblem 164
Against detractors
[one hand holds a cricket by one wing, the other hand holds a
pennant-like whisk to chase away surrounding flies ]
Dolts brandishing whips and stupid schoolteachers dare to vomit
the bile of their impure hearts against me. What should I do?
Return the favour? But will I not be said to have seized the
clamorous cricket by one wing? What use is it to banish insects
with busy flapping? More satisfactory to ignore what you can't
destroy.
Emblem 164
Futile effort
[dog bays at full moon ]
A dog gazes at the moon by night, as if at a mirror. And seeing
himself, he believes another dog is in the moon. So he barks; but
his ineffectual voice is carried away in vain by the winds, and
Diana pursues her course without hearing.
Emblem 165
Something evil, from an evil neighbour
[copper pot and
earthenware pot float side-by side in a stream ]
A flood carried away two jars, one of which was of metal, the
other earthen, made by the hand of the potter. The former asked
the latter if she wished to be borne along next to her, so that
as one they could withstand the rushing waters. The clay jar
replied: "Your concerns are of no consequence to me: let not
closeness bring me much bad fortune. For whether a wave carries
you against me or me against you, I, being fragile, will break,
and you alone will survive."
Emblem 166
On one who will perish, from the harshness of his own
[dolphin beached on shore ]
The ocean swell has driven me, a dolphin, against my will to the
seashore, a lesson in how great are dangers held by the
treacherous sea. For if Neptune does not spare even his own
children, who can imagine that men are safe in boats?
Emblem 167
On the gifts of enemies
[Ajax offers Hector a belt, Hector
offers Ajax a sword ]
They say that Ajax the shield-bearer and the Trojan Hector
exchanged remembrances of the wars. The son of Priam took a
sword-belt, and the son of Telamon a steel sword: each received
the instrument of his own death. For the sword killed Ajax, while
the belt fastened to the Aemonian chariot wheels dragged Hector
to his death. So the gifts which enemies bestow on one another on
the pretext of diplomacy bear with them fates that foreshadow
what is to come.
Emblem 168
One ought to fear even the tiniest creatures
[eagle is attacked by
beetle ] The beetle wages war and provokes his enemy of his own
accord; even though inferior in strength he surpasses her in
cunning. For he hides himself in secret and unknown in the
feathers of the eagle, to reach his enemy's nest through the
highest stars. By piercing the eggs, he puts an end to the hope
of the young growing up: and, having avenged in this way the
shame inflicted on him, he departs.
Emblem 169
Weakness subject to harm
[sardines attacked from below by the "orata" (a
large fish), from above by two birds, the "mergus" and "fulica"]
The gilt-bream seizes the tiny sardines in mid-ocean, if they do
not scatter in fear and make for the surface of the water. But,
if they do, at the surface they are food for greedy coots and
other waterfowl. Alas, weakness remains unsafe from every side.
Emblem 170
Terrifying, even after death
[two drummers, one with wolf-skin,
one with sheep-skin drumhead ]
Other things will grow silent, the sheep's hide will be mute, if
drums made out of wolfskin sound out. At this the skin of the
sheep is so terrified that though lifeless it shrinks from its
lifeless enemy. Thus Ziscas, with his skin removed and turned
into a drum, could defeat the Bohemian priests.
Emblem 171
A just revenge
[cyclops Polyphemus blinded by Ulysses ]
While the Cyclops rests at the entrance to his deep-winding cave,
among his tender flocks, he sings to himself thus: "Feed
yourselves upon the grass! - I will feed upon the Achaean
comrades, and last of all my stomach will digest Nobody." The
Ithacan heard this, and blinded the Cyclops. See how punishment
is visited upon the schemer.
Emblem 172
A just revenge
[raven holds scorpion, who in turn stings raven ]
A raven seized a scorpion by the foot and took him high into the
rushing air, a reward taken for his own greedy appetite. But the
scorpion, injecting his venom gradually into the predator's body,
forced him in revenge beneath the Stygian waves. An event worthy
of laughter: one who was preparing destruction for others
perished himself, succumbing to his own cunning.
Emblem 173
One sins, the other is punished
[dog attacks stone, not the man
who threw the stone ]
As a young dog picks up a stone and worries it with his teeth,
inflicting no damage in return on the one who tried to strike him
with it, so men let their real enemies elude them, and with bared
teeth hunt down those not charged with any crime.
Emblem 175
The fault belongs alike to the wrong-doer and the persuader
[herald who sounded the call to arms is captured in battle ]
In a hideous dungeon a victorious throng holds captive a herald
for sounding out battle signals on a trumpet. He pleads before
them that he does not strive in arms, nor has he with savage
sword pierced the side of any man. To him they answer: But in
that you stir others to arms with the clangor of your instrument,
you, most fearful one, commit a greater sin.
Emblem 174
The sword of a madman
[mad Ajax kills pigs, not descendants of the Greeks ]
Ajax was standing, sword in hand, in the midst of a bristly herd,
convinced that his sword was felling in its slaughter the
descendants of Tantalus. So such a victim as a pig paid the
penalty in the place of Laertes' son and the nobility. Fury does
not knows how to confront its enemies: its blows fall wide and,
lacking any plan, it rushes to its ruin.
Emblem 176
Peace
[elephant, hitched to wagon, and driven on by trainer, steps on shield ]
The elephant, with his tower-bearing shoulders, and ivory tusks,
though accustomed to ferocious domination in martial conflict,
has placed his neck under a yoke, and driven by goads, he pulls
the chariots of Caesar to sacred temples. Even a wild beast
recognizes nations everywhere in harmony and, when arms are laid
down, he discharges the offices of peace.
Emblem 177
From war, peace
[helmet used as hive by bees ]
Behold a helmet which a fearless soldier had worn, once often
splashed with enemy blood; now, with the onset of peace, it has
surrendered to bees the use of its little hollow space, and it
now yields honey-combs and sweet honey. May weapons lie afar off.
May it be lawful to take up arms only when you cannot otherwise
enjoy the art of peace.
Emblem 178
From peace, plenty
[a sea bird, the "alcyon," cares for its young in a nest by the
sea ]
Weave pliant garlands out of luxuriant stems, around which winds
a vine with interwoven shoots. With these, the crested halcyons
build nests on the swell of a tranquil ocean, and nurture their
fledglings. The year will be joyful for Ceres and fertile for
Bacchus too, if the monarch resembles this sea-bird.
Emblem 179
It is a sacrilege for scholars to malign scholars
[swallow (a
chatterer) carries a cricket (another chatterer) as food for her young ]
O Procne, alas why do you savagely seize the chirping cicada,
Emblem 180
and prepare for your young a ghastly meal?
Do you, prattler,
hurt a prattler?
Do you, songster of spring, hurt a songster
of spring?
Do you, a guest, hurt a guest?
And do you,
winged and flying, hurt another just like you?
Then cast away
your prey --
for musical souls, it is a most dreadful
crime
that one should perish by the tooth of another.
Eloquence, surpassing strength
[A chain from the mouth of
Hercules holds the ears of two captives ]
His left hand holds a bow, his right carries a rough club, and
the Nemean lion cloaks his naked body. Is this therefore the
likeness of Hercules? That he is old and his temples hoary with
age suggests otherwise. What of his tongue, pierced with light
chains, by which he cleaves the ears of men and draws them to him
without difficulty? Don't the Gauls say that with his tongue, not
with his might, Alcides excelled in providing nations with laws?
Arms yield to the toga, and he who is powerful in speech draws to
his wishes even the most resistant hearts.
Emblem 181
Eloquence is difficult
[Mercury hands the plant moly to Ulysses ]
There was a story that Mercury gave this to the man from Ithaca
as an antidote to the drugged wine of the Aeaean Circe. They call
it moly: it is pulled up with difficulty by its black
root, but its flower is purple and looks like milk. Brilliance of
eloquence and fluency attract everyone: But such a great gift is
the result of much effort.
Emblem 182
The insignia of the poets
[swan on shield ]
There are some who bear family shields with the bird of Jupiter;
there some whose signs bear a serpent or a lion. But let these
dreadful creatures flee the tablets of the poets, and let the
graceful swan sustain the learned family tree. The swan is sacred
to Phoebus and brought up in our region: once a king, it has kept
its ancient titles until now.
Emblem 184
All that is most ancient is a lie
[Proteus ]
O Proteus, old man of Pallene, with the form of an actor, who at
one moment takes the limbs of a man, at another those of a beast,
come tell us why you turn into all shapes, so that, forever
changing, you have no fixed form?
I bring forth symbols of antiquity and a primaeval age, of which
each man dreams, according to his wishes.
Emblem 183
Music is in the care of the gods
[cricket sits on a lyre ]
Eunomus of Locris has fashioneded a symbol worthy of his victory,
this cicada for you, Phoebus of Delphi. He was competing against
his Spartan rival on the lyre, and the strings were resounding as
they were struck by his thumb. A string wore down, and the lyre
began to twang with a loud grating, spoiling the regular melody
and harmony. Then a sweet winged insect arrived chirping on the
lyre to fill the broken instrument with its voice. Attracted to
the measures of the music from high glades, it descended to
provide us tunefully with riches. So that the honour of your
cicada might last, o holy one, this minstrel of bronze herself
therefore sits atop the lyre.
Emblem 185
The letter kills, the spirit breathes life
[Cadmus sows the teeth of
the dead dragon ]
When Cadmus committed those viper's teeth to the fields, he sowed
terrible seeds in Aonian soil: an armed band of men arose, born
from the earth, and with murderous hands set to killing one
another. Some of these men escaped; heeding Tritonian advice,
they threw away their arms, made peace, and joined their right
hands.
This son of Agenor was first to pass on to teachers the letters
of the alphabet and the first principles of learning, and to
these he added sweet harmony. But scholars in these matters are
vexed by many, many disputes, except when these are solved by the
aid of Pallas.
Emblem 186
Sayings of the seven wise men
[cluster of images representing the
saying: man on ass, pennyroyal ("pulegium"), balance, mirror, coriander, terminus, bird-cage ]
Take these things, you who wish to portray the sayings of the
seven wise men, to celebrate them in pictures.
"Moderation in things is best," as Cleobulus said: the tongue of
a balance, or level teaches this lesson.
Chilon the Spartan exhorted each man to know himself: this mirror
in your hands, this glass you pick up will provide the image.
As Periander the Corinthian said, "Put reins upon your anger":
fleabane applied to the nostrils will show this.
Pittacus advocated "Nothing to excess": they make the same point
who dissolve coriander in the mouth.
Solon enjoined that one pay attention to the end: Terminus
himself, the last boundary in the fields, will not yield to great
Jupiter.
Alas how true what Bias said, "There is a great abundance of
disasters": portray a Sardinian rider sitting on a Sardinian
ass.
"Do not be an accomplice," said Thales: thus the lapwing smeared
with birdlime draws its companion into the snare, and the
bee-eater does likewise.
Emblem 187
That ignorance must be banished
[sphinx ]
What monster is that?
It is the Sphinx.
Why does it have the bright face of a virgin, the feathers of
a bird, and the limbs of a lion?
Ignorance of things has taken on this appearance: which is to say
that the root cause of so much evil is threefold. Some men are
made ignorant by levity of mind, some by seductive pleasure, and
some by arrogance of spirit. But they who know the power of the
Delphic message slit the relentless monster's terrible throat.
For man himself is also a two-footed, three-footed, four-footed
thing, and the first victory of the prudent man is to know what
man is.
Emblem 188
Mind, not outward form, prevails
[fox
holds mask ]
A fox entered a theatre director's store-room, and found a human
head skilfully finished, so elegantly made that the only thing
wanting was breathing; in other ways it was like a living
creature. Taking it up in her paws, she said: "Oh, what a head is
this! - But it has no brain!"
Emblem 189
The ignorant rich man
[Phrixus rides the golden ram ]
Phryxus, sitting on the priceless fleece, crosses the water.
Astride the golden ram he rides fearlessly through the sea. What
perchance is this? A man dull of mind, but rich in treasure,
governed by the whim of a spouse or servant.
Emblem 190
On wifely fidelity
[man and woman, dog ]
Behold a young woman, who joins right hands with a man; behold
how she sits and how a dog plays at her feet. This is the image
of fidelity: if the passion of Venus fosters this fidelity, on
her left there will be a branch aptly bearing apples. Indeed
these are the fruits of Venus. Thus the daughter of Scoeneus
conquered Hippomenes; thus Galatea sought her husband.
Emblem 191
That respect is to be sought in marriage
[viper approaches an
eel ]
When he burns with love, the viper stands at the shore of the
ocean, and from his stomach vomits dreadful poison. Then he sends
abroad noisy hisses, to attract the murena fish. But the murena
at the very same time desires the caresses of her mate. The
greatest respect is due to the marriage chamber: each spouse owes
allegiance to the other.
Emblem 192
On fertility that is harmful to itself
[boys try to knock fruit
from nut-tree ]
I am a chestnut tree, planted at a fork in the road by the care
of a rustic. Now I'm sport for boys throwing stones. Standing
tall, my branches mutilated, my bark damaged, I am assaulted on
all sides by sling-stones hurled at me eagerly. What greater
disgrace could afflict a sterile tree? Alas, I unhappily bear
the fruit for my own destruction.
Emblem 193
Love of one's`children
[dove nests in barren tree ]
Before springtime, the white ring-dove makes her nest in the
northern cold, and sits on the eggs she laid too soon. And, so
that her young can nestle more softly, she plucks her own wings.
Now, naked herself, she grows faint in the winter chill. Aren't
you ashamed, O Colchian, and you, monstrous Procne, when a bird
comes to die out of love for her young?
Emblem 194
Devotion of children to their parents
[Aeneas carries Anchises from
burning Troy ]
As Aeneas carried the precious burden of his father on his
shoulders from the flames of his native city through the midst of
the enemy, he said: "Spare him -- you will get no honour for
capturing an old man, but I will have the highest honour for
having saved my father."
Emblem 195
The reputation of a woman, not her beauty, ought to be
proclaimed
In the form of a dialogue
[Venus, one foot on a tortoise, with Amor standing by ]
Bountiful Venus, what pray is this likeness? What is the
significance of that tortoise on which, goddess, you set your
gentle foot?
Phidias formed me thus, and he commanded that my sculpture
represent the female sex; and because it is appropriate for women
to remain at home and be silent, he placed such a symbol beneath
my feet.
Emblem 196
On a statue to modesty
[Penelope, pulled on one side by Icarius, on the other
by Ulysses ]
When betrothed to Ulysses, Penelope wanted to follow him, but
that her father Icarius wished to have it otherwise. The former
offers her Ithaca, the latter Sparta. The virgin remains anxious.
Her father urges one course, the love of man and woman urges
another. Therefore she sits veiling her face, and covers her eyes
-- they were the signs of virginal modesty. In them Icarius saw
that Ulysses was preferred to him, and built an altar to modesty
in the form you see.
Emblem 197
Wife to an infected man
[king Mezentius points to two men who bind a naked
man to a corpse ]
Mezentius, may the gods bring better things to those who love
them.
Pray, why do you address me in this way?
Because, with a dowry, you bought yourself a son-in-law who burns
with the Gallic plague, and the dreadful face rot. Tell me, what
else is this, cruel father, than joining dead bodies to living
ones, and repeating the savage deeds of the Etruscan leader.
Emblem 198
The cypress
[cypress with two funeral pyres, one with cypress, one with parsley ]
The conical shape and the name of the Cypress indicate that one's
offspring should be treated fairly.
Another
The Cypress tree is funereal, and by custom its foliage wreathes
memorials to celebrated men, as parsley does for those of lower
orders.
Another
Its foliage is beautiful, and its branches ordered in a beautiful
shape; but this beautiful foliage bears no fruit.
Emblem 199
The oak
[oak tree, two sides of a coin of Jupiter on each side ]
The oak tree is pleasing to Jupiter, who protects and nurtures
us: an oaken crown is given to one who saves a fellow-citizen.
Another
With its acorn it nourished those of old; now it serves by its
shade alone. Even in this way Jupiter's tree is of service.
Emblem 200
The willow
[oak tree, two sides of a coin of Jupiter on each side ]
Because Homer called the willow a fruit-losing tree, it resembles
men who are of Clitorian habits.
Emblem 201
The fir-tree
[silver fir, beneath sailing boats and a stack of lumber ]
The silver fir tree, though fit for the ocean deeps, is raised in
the high mountains: it shows its greatest use in adversity.
Emblem 202
The pitch pine
[pine tree, below an ass, and six bees ]
Indeed because the pitch-pine sends out no sucker-growth from its
trunk, it is an image of one who dies without offspring.
Emblem 203
The quince tree
[quince tree, below Amor with basket of quinces approaches an old
man ]
Solon of ancient times is said to have decided that Cydonian
apples should be presented to newlyweds. Since they are pleasant
to the taste and the digestion, their delicious charm stays in
the mouth, so that the breath is made sweet by them.
Emblem 204
The ivy
[ivy bush, below, garlanded, a lyre on side, a scroll on the other ]
Since it never shows signs of withering, the ivy is the plant
which they say Bacchus gave to the boy Cissus as a gift;
restless, provocative, tawny with its golden berries, verdant on
the outside, it is pale elsewhere. From it are shaped garlands to
crown the poets' temples -- poets become pale from their
exertions, though their fame flourishes for a long time.
Emblem 205
The holm oak
[holm oak, beneath armed men battle ]
Because the holm oak would burst from an excess of harshness, it
is the symbol of civil war.
Emblem 206
The citron tree
[citron tree, beneath Venus on one side, Amor next to a bee-hive
on the other ]
These are the golden apples of Venus. Their pleasing bitterness
proclaims that for the Greeks love is likewise bittersweet.
Emblem 207
The box tree
[shaped box tree, beneath a flute and a shepherd's pipe ]
The box tree is always green and has a curly head. From it is
made the reed pipe with its uneven harmonies. It is suited to
tender delights, and is a tree for lovers -- it has a pale
colour, and every lover is pale.
Emblem 208
The almond tree
[almond tree, beneath a man with a pin-wheel, swaddled infant,
skull, open book ]
Why in your haste, almond tree, do you put out flowers before
foliage? I hate small children of a forward disposition.
Emblem 209
The mulberry tree
[mulberry tree, beneath figures of winter and summer, latter with
cornucopia ]
The late-ripening mulberry never blooms before the end of frost;
and, since it is no fool, it bears a false name.
Emblem 210
The laurel tree
[laurel tree, beneath coin of Charles V, a burning altar, and complex
tripod structure with image of dolphin ]
Knowing what is to come, the laurel tree bears signs of safety:
placed under a pillow, it creates dreams that come true.
Another
The laurel tree is owed to Charles for his victory over the
Poeni: may such garlands adorn victorious heads.
Emblem 211
The white poplar
[poplar tree, beneath two sides of coin, on one side Hercules, on
the other images of day and night ]
Because the two-coloured poplar adorns the hair of Hercules, both
night and day take their turns in time.
Emblem 212
Last modified 13 November 1997