Paul Rice
Select List of Publications
Published Books:
British Music an the French Revolution. Newcastle upon Tyne: Cambridge Scholars, 2010.
Fontainebleau Operas for the Court of Louis XV of France by Jean-Philippe Rameau (1683-1764). Lewiston, NY : Edwin Mellen Press, 2004.
The Solo Cantata in Eighteenth-Century Britain: A Thematic Catalog. Warren, MI: Harmonie Park Press, 2003.
The Performing Arts at Fontainebleau from Louis XIV to Louis XVI. Ann Arbor, MI: UMI Research Press, 1989
Editions of Music:
John Abraham Fisher: Symphony No. 1 in E major (full score and performing parts). Wellington: Artaria Editions, AE 281, 2001.
John Abraham Fisher: Symphony No. 2 in D major (full score and performing parts). Wellington: Artaria Editions, AE 282, 2001.
John Abraham Fisher: Symphony No. 3 in E-flat major (full score and performing parts). Wellington: Artaria Editions, AE 284, 2001.
John Abraham Fisher: Symphony No. 4 in B-flat major (full score and performing parts). Wellington: Artaria Editions, AE 284, 2001.
John Abraham Fisher: Symphony No. 5 in D major (full score and performing parts). Wellington: Artaria Editions, AE 285, 2001.
John Abraham Fisher: Symphony No. 6 in C major (full score and performing parts). Wellington: Artaria Editions, AE 286, 2001.
John Abraham Fisher: Six Duettos for Two Violins: Numbers 1-3. Edited and with a Preface by Paul F. Rice. St. John's: Memorial University, 1998. ISBN 0-88901-350-0. [full score and 2 performing parts]
Theatre Music of John Abraham Fisher. Studies in the History and Interpretation of Music, No. 48. Lewiston, N.Y.: Edwin Mellen Press, 1996. ISBN 0-7734-8865-0 (xxx + 198 pages)
Solo Cantatas by Thomas A. Arne. Capella Savaria, Mary Térey-Smith, conductor. Centaur CRC 2815
Orchestral Suite from Jean-Philippe Rameau's Daphnis et Églé (1753); Orchestral Suite from Jean-Philippe Rameau's La Naissance d'Osiris (1754) and Orchestral Suite from Jean-Philippe Rameau's Anacréon (1754). Heard on 2 CD recordings: "Rameau: Orchestral Suites" featuring Capella Savaria directed by Mary Térey-Smith. Volume 1: NAXOS 8. 553388; Vol. 2: NAXOS 8. 553746.
J.C. Smith: Overtures to The Fairies, The Tempest, and The Enchanter; Thomas Arne: Overtures to Artaxerxes, Thomas and Sally and The Guardian Outwitted, Kelly: Overture to The Maid of the Mill, all recorded by Capella Savaria under the direction of Mary Térey-Smith. Dorian DOR-93251.
Liner Notes:
Solo Cantatas by Thomas A. Arne, Centaur CRC 2815
Of Heart and Homeland, Duo Concertante; music by Janácek, de Falla, Shostakovich, Parker, Smetana, Dvorák and Piazzolla. ATMA ALCD 2 1025.
À Deux, Duo Concertante; music by Beethoven, Ravel, Stravinsky and Brahms. ATMA ACD 2 2185.
"Jean-Philippe Rameau (1683-1764) at Fontainebleau," NAXOS CD 8.553746, Rameau: Orchestral Suites, Vol. II
"Jean-Philippe Rameau (1683-1764) At the Court of Louis XV," NAXOS CD 8.553388, Rameau: Orchestral Suites, Vol. 1
Recent Articles:
"Eighteenth-Century British Patriotic and Political Cantatas," Sharing the Voices: The Phenomenon of Singing, [2001] St. John's: Memorial University of Newfoundland, 2002: 185-94.
"Fisher, John Abraham," and "Fontainebleau", commissioned articles for the New Grove Dictionary of Music and Musicians, 2d. ed. Stanley Sadie, editor.
"Teaching Undergraduate Research Methodology," CAML Newsletter 28/iii (December 2000): 14-18.
"Musical Nationalism and the Vauxhall Gardens," Lumen XIX (2000): 69-88.
"The Solo Secular Cantatas of Thomas A. Arne," Sharing the Voices: The Phenomenon of Singing, ed. Brian A. Roberts. St. John's: Memorial University of Newfoundland, 2000: 196-205.
"Music CD-Roms: An Evaluation," CUMR Online 1 (June, 1999), 13 pages [http://www.cums-smuc.ca/ publications/cumr-ol/01/rice.html].
"John Abraham Fisher's A Comparative View of the English, French and Italian Schools: A British musician tours Europe," Sharing the Voices: The Phenomenon of Singing, ed. Brian A. Roberts. (St. John's: Memorial University of Newfoundland, 1998): 184-92;
"Power, Politics and the Production of Opera: Mme De Pompadour, Mondonville and Rameau," Transactions of the Ninth International Congress on the Enlightenment, Studies on Voltaire and the Eighteenth Century, Vol 347. (Oxford: Voltaire Foundation): 907-10.
"Stamitz and Rameau: A Possible Influence," Transatlantic Crossings: Eighteenth-Century Explorations, ed. Donald W. Nichol et al. (St. John's: Memorial University of Newfoundland, 1995): 59-74.
Recent Reviews:
Susan Vandiver Nicassio. Tosca's Rome: The Play and the Opera in Historical Perspective. (Chicago: University of Illinois Press, 1999). Canadian Journal of History (August 2001): 354-56.
Penelope Gouk. Music, Science and Natural Magic in Seventeenth-Century England. (Yale University Press, 1999). Canadian Journal of History (April 2001): 133-5.
Ezra Schabus and Carl Morey. Opera Viva: The Canadian Opera Company: The First Fifty Years. (Dundern Press, 2000). CAML Review 29/1 (April 2001): 47-8.
David Kimbell. Italian Opera. National Traditions of Opera, no. 2. (CUP, 1994). Canadian University Music Review 17/2 (1997): 112-15.
