Sounding Nature, Sounding Place: The Sonic Geographies of R. Murray Schafer's Patria Cycle (anticipated publication 2014)
"Roughing it in the Woods: Community Experience and the Cultural Practice of Patria" MUSICultures 40/2 (2013), Forthcoming.
"Pathways and Pilgrimages: The In-Between Spaces in the Patria Cycle" Intersections: Canadian Journal of Music 28/1 (2007): 134-145.
"Hearing Place: The Evocation of Place and Sonic Exploration in the Work of Independent Prairie Folk-Rock Artists" in Grassland Sounds: Popular and Folk Musics of the Canadian Prairies, Gordon Ross, Gillian Turnbull, and Geoff Whittall, eds. (Forthcoming 2013)
"Beyond the Ghetto: k-os' Interweaving and Re-plantation of Traditional and Non-Traditional Hip-Hop Signifiers" in Folk Music, Traditional Music, Ethnomusicology: Canadian Perspectives, Past and Present, Anna Hoefnagels and Gordon E. Smith, eds. Newcastle upon Tyne: Cambridge Scholars Press, 2008: 163-170.
Augoyard, Jean-Francois and Henry Torgue. sonic experience: A Guide to Everyday Sounds. Montreal and Kingston: McGill-Queen's University Press, 2005. University of Toronto Quarterly 76/1 (2007): 316-317.
Inglis, Ian. Performance and Popular Music: History, Place and Time. Aldershot: Ashgate Publishing Ltd., 2006. Twentieth Century Music 3/1 (2007): 165-167.
Bennett, Andy, Barry Shank and Jason Toynbee. eds. The Popular Music Studies Reader. New York: Routledge, 2006. Journal of Popular Music Studies 19/1 (2007): 124-126.
Clark, Caryl, ed. The Cambridge Companion to Haydn. Cambridge: Cambridge University Press, 2005. Intersections 27/1 (2006): 100-103.
"The Impact of Compilation and Record Collection on Characterization and Identification in High Fidelity" Proceedings of the 13th biannual conference of the International Association for the Study of Popular Music (IASPM), Making Music, Making Meaning, Rome, Italy, July 25-30 2005. Published Online Summer 2009.