
(September
7, 2000, Gazette)
The
Visitor

John
Steffler (L) and Dr. Michael Parker
By
Pamela Gill
The search for a place to call home is a concept with which most
Newfoundlanders are familiar. These journeys are often employment
driven, taking Newfoundlanders to hopeful places that might fill
the void of The Rock theyve left behind.
But
the Newfoundland heart is a peculiar animal, and has been known
to tear families apart in the quest for home.
The
story told in The Visitor is no different. The one-act chamber
opera was written by Newfoundland composer Michael Parker, with
libretto by award-winning writer John Steffler. Both are professors
at Sir Wilfred Grenfell College. A world premier, concert performance
of The Visitor will be performed at the Corner Brook Arts and
Culture Centre on Friday, Sept. 22. It will be performed at the
St. Johns Arts and Culture Centre the following evening.
The
opera recounts the legend of Haki and Hekja, two Scottish slaves
who were brought to Vinland against their will by the Vikings.
They must now decide whether to go back with the Vikings or remain
in Vinland and take their chances.
In
the end, the conflicts and emotions that these characters express
are common to us all, said Dr. Parker. We all wish
to find out `home in this world, to find the place where
we belong. For many of us that place always seems to be somewhere
else.
The
opera will be performed by the Newfoundland Symphonia, a troupe
of 12 members of the Newfoundland Symphony Orchestra. The cast
includes Desmond Byrne, bass, of Montreal, David Malis, baritone,
of New York, Sandra Graham, soprano, of Ottawa and Newfoundlands
own Berni Stapleton, who will perform a speaking role. Marc David
of Montreal will conduct the performance.
The
Visitor,
commissioned by Music Canada 2000 Festival Incorporated, is being
produced by Peter Gardner of the Newfoundland Symphony Orchestra.
The
idea for the Viking opera first surfaced five years ago, says
Dr. Parker. With the advent of Music Canada 2000 Festival Incorporateds
grants, available to composers and musicians all over the country,
the idea became a reality.
Ironically,
there are no Vikings in this production. Rather, the Vikings
are described through the eyes of those around them: the Scottish
slaves, a German craftsman, and, as the opera moves surreally
to the present, a doctor and an archaeologist.
The
`hook, if you will, is the Vikings, but really the opera
could be about anyone, said Dr. Parker, pointing to Newfoundland
as an example. Lots of Newfoundlanders leave and go somewhere
else and come home again. Everyones looking for that elusive
happiness, that home. Its an opera about where ones
place is.
This
performance will not be the definitive version, but
rather a first reading.
Well
have entrances and exits, maybe some costuming, but no set design,
he said, adding hell push to have the opera staged in its
full capacity in the not-too-distant future.
Sir
Wilfred Grenfell College will celebrate the work of these two
professors, as well as the colleges 25th anniversary, by
sponsoring a reception following the Corner Brook performance.
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