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[AMBR.Hex.]: CPL 123; RBMA 1227
ed.: CSEL 32/1.3-261 |
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The Hexameron is a commentary on the six days of creation (Genesis 1.1-26) in the form of homilies collected in six books, drawing on BASIL THE GREAT's HEXAMERON. ALDHELM in his CARMEN DE VIRGINITATE (MGH AA 15) describes Ambrose's Hexameron (without giving the title) as "a lucid little work, unfolding with devout reckoning how from the first beginnings the wisdom of the supreme Father had made this present world through six periods of days, disposing the ages with an eternal command" (trans. Lapidge and Rosier 1985 pp 117-18). The Lambeth Palace manuscript contains numerous short excerpts from Ambrose, mainly from the Hexameron and EXPOSITIO EVANGELII SECUNDUM LUCAM (see James and Jenkins 1930-32 4.570-76). The entry in the Sæwold booklist refers to the Arras manuscript, which is a defective copy (see Schenkl, CSEL 32/1.XXXX-XXXXI).
BEDE in the letter to Acca prefacing his
COMMENTARIUS IN GENESIM
refers to Ambrose as one of several major Fathers who composed
hexameral commentaries. According to
Laistner 1935 (p 237) "The
Hexaemeron ... [was] certainly at
Bede's elbow" when he composed his commentary on Genesis, and
Charles W. Jones in the index auctorum of his edition lists
some thirty parallels from Ambrose's work (see CCSL 118A.253).
However, as
On Ambrose as a source for Ælfric
(HEXAMERON [ÆHex;
ed. EETS 177], Homily for the Common
of a Confessor [ÆHom M11; ed. Assmann 1889], and The Maccabees in
LIVES OF SAINTS [ÆLS Maccabees
(B1.3.25); ed. EETS OS 76, 82, 94, 114]) as well as for
Aldhelm riddle 96 (ALDH. Enig.XCVI; ed. MGH AA 15.143) on the
elephant, see Cross 1965;
Glorie (CCSL 133.521) cites SOLINUS
rather than Ambrose as source for Aldhelm's reference to the elephant's
inability to bend its knees. Ogilvy (BKE p 59) and Glorie
(CCSL 133 p 389) suggest that Aldhelm's riddle 6 ("Luna";
ed. MGH AA 15.101) is indebted to Ambrose, perhaps by way
of Isidore of Seville, De natura rerum XL.i (PL 83.1011.21-24),
although the observation that the moon affects the motion of the sea
was commonplace.
Gaebler 1880
identified Ambrose's discussion of the nature of the phoenix's nest
(Hexameron 197.1-198.12; trans.
Allen and Calder 1976
pp 118-19) as a source for the Old English Phoenix, lines 443
and following.
Trahern 1963 (pp 51-57)
also discusses the work as a source for Phoenix,
noting specifically the idea of the "nest of faith," the tree where God
protects Christians, and the death of the Old Man and birth of the New Man;
see also Blake 1964 (pp 20-21).
Orchard 1995 (p 22 n 117,
citing an unpublished dissertation by Paul Allen Gibb) notes that the
compiler of the version of the Latin MARVELS OF THE EAST in the
twelfth-century manuscript Oxford, Bodleian Library Bodley 614 revised
the description of the phoenix in light of the same passage.
Clemoes 1969 (pp 73-77)
argues that the passage in The Wanderer (Wan 29b-57)
describing the solitary's vivid mental images of
absent comrades reflects Hexameron 235.25-236.22), although
he suggests that the conception may have been transmitted
through an intermediary.
Diekstra 1971
pointed out that a similar passage in
Alcuin, DE ANIMAE RATIONE, which Clemoes suggested
as a possible source for The Seafarer (Sea 58-64a), is drawn from
LACTANTIUS,
DE OPIFICIO DEI, and does not depend
upon Ambrose. Diekstra shows, however, that the theme of the
flight of the soul is attested in various patristic texts,
including several by Ambrose. See also
Godden 1985 (pp 293-94).
The Old English gloss to DEFENSOR's
LIBER SCINTILLARUM (LibSc; C.15; EETS
OS 93) includes
one brief sentence from the work. All but one other citation
(see the entry for
DE IOSEPH PATRIARCHA)
headed "Ambrosius dixit" in Defensor's florilegium are from
JULIANUS POMERIANUS,
DE VITA CONTEMPLATIVA.
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Last updated by Bill Schipper on Monday, 29 June 2001